A Quote by Madhura Naik
Whatever I am today is because of my directors. Without their sheer hard work on me, I wouldn't be an actor.
Related Quotes
Whatever I am today is mostly because of my training at FTII. It taught me to be disciplined as an actor. People accuse us of being lazy and presume that we smoke up and laze about in the campus, which is not true at all. FTII courses are hard work.
In terms of directors, great actors make directors - Gary Oldman was great to work with, for me; Tim Roth, too. You work with Scorsese and Spielberg and they were wonderful directors, but for me, working with actor/directors is special.
I would like to believe that I am a collaborative actor. That's why I love all the directors I have worked with in recent times, as they are all collaborative directors. I think my constant desire is to keep bettering my own work. I don't get easily satisfied with my work; I am very critical of it. I learn from my mistakes.
I work with big directors. I work with good actors. I act in female-centric films. And I do all this without ever indulging in a casting couch experience. Because I believe in hard work, talent, and blessing.
Directors don't get to see other directors at work - they're the only one on the set. I've met directors who've asked me what another filmmaker is like. So, there's probably nobody better placed to make all the comparisons and to pick up stuff than an actor.
I don't know the definition of a star; I am just an actor. I prefer doing hard work, as I feel luck can't do much in absence of hard work. I am a lazy person - when I entered into this industry, I thought it was a cakewalk, but I have realised it needs a lot of patience and hard work.
I want my sheer work to to speak for my talent and it will be quite an achievement, I believe, if producers and directors look at my work and offer me something.
I just tried to make as many plays as possible to try and show them how hard I work and how hard I prepare and that I am willing to do whatever it takes to win football games and to accept whatever role they want me to be in. I think that has helped me throughout my career.
My dad was a professional footballer before I was alive. When I was growing up, he was the one who coached and mentored me and helped me to become what I am today. Without his coaching and without his insight and the days and the hours that he put in with me, I wouldn't be the player that I am today.
I don't speak out because I am an actor nor will I keep silent because I am an actor. I respect my profession, but it endows me with no special privileges; but it also does not limit me or muzzle me. I am a person and a citizen with the attendant responsibilities of voice and vote.
I'd like to work more as a director. It's distracting being an actor, because - there's a lot of reasons. You find out you're going to work about six months before you start shooting, and then there's prep and there's post afterward, and there's stuff to do, and then suddenly you've gone a year without directing. There's a part of me that has to not be tempted by that in order to commit more to the directing. Honestly, the big reason for me to act is to observe other directors and learn from them. That seems to be the biggest draw.
Both my parents ran small businesses and it undoubtedly made me the person I am today because I've only ever known them work incredibly hard.
I had many, many mentors that I worked with. Music teachers, choir directors, directors in summer stock or in regional theater. You know, people I was able to work with repeatedly and learn from who were really sort of appropriate people for me to work with at a given time in my development as an actor.
I think it's difficult to say what exactly made me become a successful DJ. It depends on so many different things. If I were given an award, I would thank my family, friends, Tiesto and the great team behind me for all their support and hard work. Without them, I wouldn't be where I am today.
Tell me one director who will go on record to say that I don't get along with them? I get along famously with all my directors because I am what I am today because of them.
Work with good directors. Without them your play is doomed. At the time of my first play, I thought a good director was someone who liked my play. I was rudely awakened from that fantasy when he directed it as if he loathed it. . . . Work with good actors. A good actor hears the way you (and no one else) write. A good actor makes rewrites easy. A good actor tells you things about your play you didn't know.
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