A Quote by Maggie Cheung
I've played a ghost, cat, snake. I've been funny, sad. I've been filmed flying on screen. So why not spend time on something else? I don't need to accept everything I'm offered.
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Over the years, I've come to realize that sometimes a ghost isn't always a ghost. Sometimes, telling a ghost story is a way to talk about something else present in the air, taking up space beside you. It can also be a manifestation of intuition, or something you've known in your bones but haven't yet been able to accept.
Cultists do not want to admit they have been manipulated by charisma. Nigerian money scheme victims do not want to accept that they had been swindled. To accept those realities is to accept their own faults. Denial of our own weaknesses is something we all suffer from time to time.
The first time I've actually filmed in London, the locations we've all had have been real inner city, grimy urban places which has been great. Filming here, you've got everything on your doorstep, so when you've got time off, you can go into town, so I've really enjoyed it.
I haven't been offered a lot of comedy. In theater, I've done quite a bit of comedy or dramas that included a lot of funny stuff. But in my TV work, those aren't the roles that I've been offered.
There is a ghost here. A lonely, heartbroken spirit. The ghost of everything that could've been and never was.
I've been offered a couple of shows that have been very successful, but they weren't right for me. It has to be something I could be excited about for a long time.
All of us have been through relationships; there have been periods of time when we've been single. It's something that everyone experiences. It's a matter of making that observation and then start to ask questions about it: Why is it like that? And why do we feel that? And why are we organized this way? Isn't there any other way?
I believe there is a time for everything. Time changes, and you need to accept that. Else, you stagnate.
Just because I'm talking about something that might have been a sad or painful situation doesn't mean that I'm sad or tortured 24 hours a day any more than anybody else is.
I spend so much time on the screen when I am writing, the last thing you want to do is spend more time on the Internet looking at a screen. That's what I hate about all this technology.
I was offered a series by John Carpenter after I did the movie 'Christine,' and I would've been a leading man after that. I would have played a private investigator. And I was offered a great deal - I would be involved in the direction, casting, everything, and whatever. It was whatever an actor wants, and I didn't take it.
The biggest challenge of my career has been wanting to do EVERYTHING! I always say I wish I could clone myself so that I could do everything for work and be a full-time mommy at the same time, and I know that so many women feel the same way. It has been a challenge for me to step back, take a moment to breathe, and to accept the fact that I logistically just cannot do everything and be everywhere at the same time.
I think funny comes from tragedy and time. And I think that's where I get it. I'm able to take things that are serious and sad, and turn it into funny. In all honesty - this is after a lot of therapy - I think that, you know, I need love from something, and so now, I find it through performing.
Sadness, seriousness are parts of a psychologically sick man - they need causes. So when you are feeling happy, don't start asking, "Why am I happy?" When you are feeling sad ask why you are sad. But strangely, it has become conventional to our minds that when we are sad we accept it as if it is our nature. And when we are joyous even we are surprised; deep inside we even start worrying: "What is happening to me?"
I always knew she was being funny, but when I tell my therapist that my mom played the trust game with me and let me fall on the ground, my therapist does not find that funny. She's like, "That's the reason for everything! That's why you have such a hard time with trust!" And I'm like, "I don't really have a hard time with trust. I thought it was funny."
'Boo & Hiss' has been a passion project of mine for a couple of years. I was intrigued with the idea of what would happen in a classic cartoon predator/prey relationship if the predator - in this case, a cat - got to finally do in his adversary only to have the mouse return as a ghost and bedevil the cat.
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