A Quote by Mahesh Bhatt

My last film as director, the National Award winning 'Zakhm,' barely managed to break even. So why should I listen to so-called sensibilities of a handful of critics?
'Zakhm' was my last film as a director.
I refused to be filmed getting off a bus twice. The director said, 'I'm an award-winning director. Please do it', and I said, 'I never thought I'd say this, but I'm an award-winning actress with a bad leg, and if your film depends on seeing me get in and out of a bus, we're in trouble.'
We have seen many child actors who have gone astray. They were particular that 'Zakhm' was going to be my last film as a child actor and after that I took a six year break for education.
I have worked with National award-winning artiste Upendra Limaye in a film and he is a fantastic actor.
Winning an award is a great feeling but winning the Vodafone Crossword Popular Choice Award is particularly exhilarating because it is based upon public voting. I find it a strange quirk of fate that Chanakya's Chant, a political tale, should end up winning an election!
I don't break my head while working on a film or a show. The director is capable enough to bring out the best in all. So, why should I bother with anything?
Apart from the National Film Awards, I don't see any other award ceremony that I should give value to. My personal experience about these award ceremonies is that I don't trust them. I have no faith in them so I would prefer to stay away.
The song 'Bolo Naa' from the film 'Chittagong,' which got me the National Award, wasn't even promoted in India, whereas the film won laurels all over the world.
Before writing a single note of music, and even before the spotting session, I find it best to sit down with the director and just listen to him or her talk about the film - what they're trying to say, what they want the audience to understand or believe, and a thousand other similar questions. The director has most likely been living with the film for years before a composer is attached, and so the director's inclinations, desires, and understanding of the film are paramount.
Me and Kirby are very collaborative and it changes from film to film. The first project we worked on together, Derrida, we co-directed. The last film Outrage, I was the producer and he was the director. This film was much more of a collaboration - he is the director and I am the producer - but this is a film by both of us.
A new kind of award has been added -- the deathbed award. It is not an award of any kind. Either the recipient has not acted at all, or was not nominated, or did not win the award the last few times around. It is intended to relieve the guilty conscience of the Academy members and save face in front of the public. The Academy has the horrible taste to have a star, choking with emotion, present this deathbed award so that there can be no doubt in anybody's mind why the award is so hurriedly given. Lucky is the actor who is too sick to watch the proceedings on television.
An award means a lot to me. It brings happiness along with a kind of fear. It brings fear because the award is the responsibility which audiences have put on us. So a singer winning an award should always try to give best of him to the audiences.
It's always fun to think about winning an award. I thought about winning awards when I was a little girl. Everybody wants to win an award for something.
The reality is that we have all these awards and all these festivals that give out awards, so you sort of go, 'okay, well, people liked the film, and I think it's a good film, and it's up for an award - well, I guess it should win the award then.'
An actor is only a part of the film, not the whole, and very often, he is moulded by the director. That is why a good director can make so much difference to a film.
After winning the National Award for Perariyathavar, I started getting a lot of good roles such as the one in 'Action Hero Biju.'
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