A Quote by Mahesh Bhatt

'Blood Money' was a stand-alone film, but we worked double for it. We realised how difficult it is to sensitise people to anything new, especially when you don't have a star.
It's difficult to always have to be contextualized within the careers of your parents, and it's difficult not to feel like you can stand alone, but hopefully I'll earn the ability to stand alone over time.
I did the Kannada film when just out of school. I didn't know anything about the South Indian film industry at that time, and I did the film to earn some pocket money. I realised then I like acting.
There isn't a story written that isn't about blood and money. People and their relationship to each other is the blood, the family. And how they live, the money of it.
A film star is a film star, and you can't take that away. Hence, I don't think about money when I do films, but I will do it for TV like the way I do it for endorsements.
People may have found it difficult to approach me, and I realised it and have worked on it. I used to be socially shy. Now I have become a social animal. I go out, meet and interact with people.
People would ask me how I could stand the long campaigning, how I could stand being charged with the responsibilities of a great nation, one of the most powerful and difficult jobs in the world. It wasn't any more difficult than picking cotton all day or shaking peanuts.
It's difficult to parent one kid, let alone five! It's insane. It's this strange, overwhelming mess that I would not trade for anything. I think it's more difficult in New York City. It's not like we can hop in the minivan and go somewhere. I don't own a car. It's chaos anywhere. Being a parent is difficult. Being a son and a daughter is difficult. It's a human relationship.
And as I looked at the star, I realised what millions of other people have realised when looking at stars. We're tiny. We don't matter. We're here for a second and then gone the next. We're a sneeze in the life of the universe.
In terms of the film itself, there was nothing much very new about 'Star Wars.' 'Star Wars' was a trailblazer for the kind of monumentalist pastiche which has become standard in a homogeneous Hollywood blockbuster culture that, perhaps more than any other film, 'Star Wars' played a role in inventing.
'Masoom' was like a picnic for all of us. We kids just wanted to have fun acting in the film. We never realised when the film was completed. When we did, we realised the party was over.
After I began working, I realised there's no end line. I believe that money has nothing to do with your personal success. On the face of it, I'm the biggest capitalist of all. I have all the riches. I'm the living proof of what stardom should be in material terms. But I've never sold my soul. I've not done anything which I didn't want to do. I've not done films for money. I'm not saying this with arrogance but I've never asked for a film.
I know how far a fiver can go in non-League, let alone 100,000! So it is a lot of money. That money can be spread across the country to grassroots football which is fantastic. It can help them with things like electricity bills, new kits, new footballs and lawnmowers.
People always say to me, 'It must be so much pressure and so difficult playing out there in front of 60,000 people.' I always say, 'No, not really.' Playing football and earning great money isn't difficult. Working three jobs and raising kids alone, which is what my Mum did. That's difficult.
I went back to Jamaica after living in New York and started to work on experimental stuff and basically I grew as a filmmaker. I went to film school; I was a PA on a lot of projects and I worked so hard, you know, you're young and I learned from different mentors. And luck put me in the position to work with amazing people. One of my mentors by the name of Little X, who took me under his wing after I came out of film school and moved to New York. I worked in videos for Jay-Z, Pharrell to Busta Rhymes and Wyclef. I quickly realized how much I wanted to make films instead of music videos.
Every star, whether it's Harrison Ford or Robert De Niro, is remembered by one film. Persis is a star in the sky - how can a star be forgotten when all you have to do is look up and see her?
The issue often with films is how it works with money and trying to get a visible movie star presence in the film.
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