A Quote by Mahesh Bhatt

It's extremely important that plays reflect contemporary times and should not just be about asking for social change without having any connect with the audience. — © Mahesh Bhatt
It's extremely important that plays reflect contemporary times and should not just be about asking for social change without having any connect with the audience.
I know having a social media profile removed is a 21st century privileged problem - but it is the way a lot of us live. These profiles mimic our physical selves and a lot of the time are even more important. They are ways to connect with an audience, to start discussion, and to create change.
The commercial theatre may still be considered one of New York's primary tourist attractions, but . . . there is no longer an audience for serious Broadway plays. . . . Perhaps we should acknowledge that, having lost its traditional audience, Broadway can never again be a home for new plays.
We live in such an isolating time with technology and social media and I think that creates this feeling of having to connect, of having so many ways to connect but nothing's connecting.
When it's your words, and then you watch it connect with an audience as the artist, I kinda reflect back on the writing process and why those words were important to me. And to watch people sing it back, I mean, that kinda means everything because that's the whole point for me - performance and songwriting - is to connect with people.
We are proving that Latinos have the power to connect with an audience on a global level without having to leave our identity behind.
Speaking about myself, I've been pleasantly surprised that my older plays are still being performed. Most important is that they still have something to say to today's audience, in particular the young people who enjoy my plays. That's the best I could hope for, that the plays aren't single-use products of one era.
In today's social business marketplace Facebook is one of the best places for nonprofits to be discovered and connect with a larger audience on the basis of shared values. So to get started, a non-profit should launch a Facebook page and invite your existing real world community to connect your cause and their networks.
By having a blog, you can make yourself very accessible to your target audience. You can leave comments open on your blog so you can learn exactly what your audience likes about what you're doing with your business and about what they think you should change.
Besides having an audience, the most important currency for any leader is his or her reputation. And having a reputation for over-delivering on what's expected of you should give your visitors, subscribers and customers more reason to spend their money with you and refer their friends.
The hardest part of living without social media was remembering that my little life was enough, so I could just stay there and live it without asking for anyone else's permission or validation. I realized that for me, posting is like asking the world, 'Do you 'like' me?'
Teenagers are extremely funny, and extremely clever and intellectually curious. But they're also willing to ask questions about the meaning of life without disguising them around irony, and ask questions about what are our responsibilities to other people without having to couch it in irony.
All ideas about identity, of course, fit perfectly into the social media wonderland we live in. They seem to really connect. There's a science-fiction aspect to our contemporary life. What's virtual, what's real.
I have never thought of my entertainment as being able to bring about social change. I am seriously always looking for the laugh. What it did make me conscious of was having empathy for those without any power in this country. That has always stuck with me.
Theatre is very much concerned with the society, with the social situation... A theatre piece of itself, demands a confrontation with the audience. It demands that you connect with people; it demands a collective and social effort with the company and later with the audience.
I don't believe really good plays - interesting plays, complicated plays - can mean just one thing to every single person in the audience.
And this has been man's stupidity - a very ancient one: whenever he gets into difficulty, he changes the word. Change the word marriage into soul mates, but don't change yourself. And you are the problem, not the word; any word will do. A rose is a rose is a rose...you can call it by any name. You are asking to change the concept, you are not asking to change yourself.
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