A Quote by Mahesh Bhatt
One needs strong performance to put across a point in theatre.
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When I was young, I first went into the theatre which opened up across from my house. My mum and dad put me in there, not to become an actor or anything but to get rid of my shyness, which was so bad, to the point it was painful. My time there was all about encouragement and improvisation.
With musical theatre, although there are rules, they're so different to the ones I feel like I have accidentally been ingrained with writing pop music. The main point is to tell the story. You just have to make sure the character's voice is strong and the storytelling is strong.
My strong point, if I have a strong point, is performance. I always do more than I say. I always produce more than I promise.
I started - well, in England it works a little bit differently. You have to do Fringe theatre, which is basically free theatre. You do it in pubs and small theaters and village halls across the country, and you work for a theatre company. You're part of a troupe.
To move from a discussion of the early relationship between theatre and television to an examination of the current situation of live performance is to confront the irony that whereas television initially sought to replicate and, implicitly, to replace live theatre, live performance itself has developed since that time toward the replication of the discourse of mediatization.
Let today's strong performance be your starting point for tomorrow.
As my passion is theatre when I do a film I'm taking time out from my theatre career. So, I'm desperate to get back into the theatre. So, I have to make sure that I put my foot down, especially with the agents and stuff, and say: "Hey no, I'm doing some theatre!" It is hard but it matters so much to me that it's just something that's going to be necessary and people will have to deal with it.
From musicals to plays, I was part of all things theatrical all through my school life in Chandigarh, and this helped me develop a strong love for theatre and acting. Even during college, I was active in the theatre scene and even founded two theatre groups.
I think that if you use the so-called "strong words" you'll get your point across faster and you can save a lot of beating around the bush. Why are people afraid of words? Sometimes the dumbest thing that gets said makes the point for you.
I started using film as part of live theatre performance - what used to be called performance art - and I became intrigued by film.
If you give a good performance, something that gets some feeling across to people, that’s such a rare gift. It’s underestimated at this point in history, when the music biz is inevitably turning into a kind of politics.
If you give a good performance, something that gets some feeling across to people, that's such a rare gift. It's underestimated at this point in history, when the music biz is inevitably turning into a kind of politics.
The real writing of a piece comes only when you are performing it. It is why I like theatre. In film and TV, the image is locked forever, but in theatre, there is constant change; each performance is part of the writing process.
Getting a burp out of your little thing when she needs it is probably the greatest satisfaction I've come across at this point in my life.
Our international role depends on a strong Europe and a strong Europe depends on France's ability to share leadership with others, including Germany. If France is economically weak and doesn't carry out reforms, it is no longer credible. Europe's position on the global stage is thus weakened. I would like to change all that. France needs a strong Germany and a strong chancellor. But Germany also needs a strong France.
This idea that my work is about hip-hop is a little reductive. What I'm interested in is the performance of masculinity, the performance of ethnicity, and how they intermingle across cultures.
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