A Quote by Mahesh Bhatt
Cinema now can't be just about introspection and atma manthan; such topics won't work.
Related Quotes
The individual exists only in your imagination. It is just an illusion. When the Atma is one without a second, when the Atma is everywhere, where is the individual? Only in your imagination. The Atma alone is real. Realize it through meditation.
Shyam Benegal has found a lovely voice in this film. We've all seen the kind of cinema he's come up with over the years. His films like 'Mandi,' 'Manthan,' 'Sooraj Ka Saatvan Ghoda' all have revolutionised the face of Indian cinema. And in 'Well Done Abba,' he has once again found a relevant subject, which even youngsters can relate with.
I usually allocate time each week to work on topics outside of the normal workflow. These topics can be multi-year strategies for work, theories of how the world is changing, or just something refreshingly different or new.
Do some Sadhana. Realize the Atma! Always think like that . . . "I am the Atma. I am all."
The body is born. Birth and death only have to do with the body. Ego also relates only to the body. Similarly, reincarnation relates only to the body. Do not think of the body. Think of the Atma. The Atma is one; it is unchanging. For Atma there is no incarnation, there is no reincarnation.
When I'm writing, it's about the page. It's not about the movie. It's not about cinema. It's about the literature of me putting my pen to paper and writing a good page and making it work completely as a document unto itself. That's my first artistic contribution. If I do my job right, by the end of the script, I should be having the thought, 'You know, if I were to just publish this now and not make it . . . I'm done.
Cinema is not about format, and it's not about venue. Cinema is an approach. Cinema is a state of mind on the part of the filmmaker. I've seen commercials that have cinema in them, and I've seen Oscar-winning movies that don't. I'm fine with this.
After all, in supporting phenomenal concepts I am in a sense siding with introspection against the more behaviourist Wittgensteinians. But even so I don't think that introspection is powerful enough to resolve the specific issue about how many colours you can see.
Here was opportunity to make an audience walk and move, be sociable in a way never dreamed of by the rigors of cinema-watching, in circumstances where many different perspectives could be brought to bear on a series of phenomena associated with the topics under consideration. Yet all the time it was a subjective creation under the auspices of light and sound, dealing with a large slice of cinema's vocabulary.
'Black cinema' I don't even know what that means. It's just cinema. When Paul Thomas Anderson makes a movie, we don't just say it's 'white cinema.'
I'd like to think I'm going upriver in talking about world-view topics rather than particular political or controversial topics.
I think that, if there are topics that are just on people's minds, things manifest into reality out of the sort of global consciousness of being aware of those topics.
Topics... are what people talk about when they don't know each other well. Topics... are what men talk about.
As the acting class was going on, I just realized I just knew more about cinema than the other people in the class. I cared about cinema and they cared about themselves. But two, was actually at a certain point I just realized that I love movies too much to simply appear in them. I wanted the movies to be my movies.
There is no border. I'm branding my films as Malay cinema, but it's just about cinema. Everything that I make is about humanity's struggle, so there is no border, really.
Topics that are hard to talk about can be difficult for a lot of people, but it's important that we make sure we're addressing difficult topics/issues so it doesn't become the norm.
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