Television is a sort of mirror of society, but for me, I never saw my reflection in it. Which makes it quite difficult afterwards to open up all the imaginative possibilities.
I was in Italy on vacation, and I saw my reflection in a mirror. I saw how unique my skin was and why people stop me on the street to ask about it. I started falling in love with it.
After 'Entourage,' it completely opened up my casting within the industry. People saw me for a lot of roles that I hadn't been seen for before. Older roles. I went out this pilot season for a lot of lawyers and doctors. And cops - which I haven't quite mastered yet; I find that quite difficult.
I also want to take cognizance of the fact that this flight was made out in the open with all the possibilities of failure, which would have been damaging to our country's prestige. Because great risks were taken in that regard, it seems to me that we have some right to claim that this open society of ours which risked much, gained much.
You are not the one who experiences liberation; you are the clearing, the opening, the emptiness, in which any experience comes and goes, like reflections on the mirror. And you are the mirror, the mirror mind, and not any experienced reflection.
His face contained for me all possibilities of fierceness and sweetness, pride and submissiveness, violence, self-containment. I never saw more in it than I had when I saw it first, because I saw everything then. The whole thing in him that I was going to love, and never catch or explain.
I am a mirror to my neighbor, and in that mirror, he must see a reflection of Jesus. If that mirror is cloudy or distorted, Jesus' reflection will be so vague it will hardly be seen.
I know when I was growing up in New York, whenever I turned on the television, I never saw a face that looked like me. Whenever there was an Asian person on television, it would be a huge event, me calling to my older sister 'There's an Asian person on television!' It was unheard of back then.
I find it difficult to say, like "which child do you prefer the most", and its a sort of surface choice. I've never known how to quite answer that one adequately.
Blake understood. Treated it like a joke, but he understood. He saw the cracks in society, saw the little men in masks trying to hold it together...he saw the true face of the twentieth century and chose to become a reflection of it, a parody of it. No one else saw the joke. That's why he was lonely.
In his eyes I saw all the other possibilities. The dream-world possibilities. The fairytale possibilities. The seemingly impossible possibilities.
I think that, at least in my experience, it is difficult when there is unfinished work. That makes it difficult to think of dying when what you have to do is not quite done. Of course it's never quite done.
My father never kissed me, hugged me or told me that he loved me. As my only living parent, he became the filter through which I saw myself, the possibilities for my life, the world and all men. He was a conflicted and dark filter.
Reflection in the mirror
makes reality look at you
Black people watch more television than anybody else, which makes it legitimate to talk about television. Its anesthetizing effect has been quite real. But that concern isn't new.
Theatre is a mirror, a sharp reflection of society. The greatest playwrights are moralists.
I never saw myself as Mr. Ugly, but I'm not that handsome. I can sort of be made to look quite a lot better or quite a lot worse.