A Quote by Malcolm D. Lee

Half the audience gets where I'm coming from and half the audience is like, "Wait a minute. What does that mean?" — © Malcolm D. Lee
Half the audience gets where I'm coming from and half the audience is like, "Wait a minute. What does that mean?"
I've always believed that a good twist is one that, when it is presented to the audience, half of them say, 'I saw that coming.' And half of them are completely and totally shocked. Because if you don't have the half that saw it coming, then it wasn't fair: You never gave the audience a chance to guess it.
You can do really slow movements with it, like zooming in for a minute and a half. The audience isn't aware that the camera has moved, but there's subconscious tension there.
Half the world hates What half the world does every day Half the world waits While half gets on with it anyway
I feel the life expectancy of a comedian is 30 seconds. If you don't hook an audience in half-a-minute, you're dead.
I found doing that kind of comedy without an audience is just... for me, it's almost impossible. You need the audience to do their half of the work.
I enjoy journalism; anybody does. You see the results immediately; you've got an immediate audience instead of having to wait for your audience as you do if you're writing a book, and you get a bit of money coming in, and you can see more clearly how you're paying the bills. But it's not a good position for the serious novelist to be in.
Normally when it hits two and a half, three hours, the audience gets exhausted and start yawning.
A tree there is that from its topmost bough Is half all glittering flame and half all green Abounding foliage moistened with the dew; And half is half and yet is all the scene; And half and half consume what they renew.
Donald Trump is attacking President Obama's background. And I said, 'Wait a minute, Trump also is from a mixed background. He's half jack and half ass.'
As an actor, I've always said, half the audience is going to love you, half is going to hate you so just live with it. It's easier that way.
I've never done anything half-heartedly; it's a disservice to me and the audience if I do it half-heartedly.
The one thing that I love about the live audience is the energy level. Like, from the minute of cast introductions, it's just constant energy being traded back and forth. When you do something funny, the audience laughs; when you're being serious, you can, like, feel the tension going through the audience.
Typically, among the audience members joining the actors, the director, Ann Ciccolella and myself, about half of these theater goers have read the novel [Anthem], and half have not read it. That is interesting.
I love my camera crews on all my jobs. It's the half of the job that the audience never gets to see. They're integral. They're as much a part of making a movie or television show as I am.
An audience is the perfect thing to unleash venom and hate on. It doesn't necessarily mean you hate everyone in the audience but when you've got a so-called adoring mass in front of you, it's a perfect target for that kind of disgust. Sometimes you find yourself in a position where you're venting your disgust on an audience and a lot of them keep coming back 'cos they actually like that aspect. In a way that diffuses the feeling and you don't gel the same release.
Lips half-willing in a doorway. Lips half-singing at a window. Eyes half-dreaming in the walls. Feet half-dancing in a kitchen. Even the clocks half-yawn the hours And the farmers make half-answers.
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