A Quote by Mani Ratnam

When it comes to casting for movies, it is a priority that you cast right. The guiding principle must be what is right for the movie, that is the basis you cast someone, not because so-and-so is a friend.
I want to cast correctly, and then I want them to live on screen. If I cast the wrong actor, I'm screwed. But, if I cast the right actor, it really works out. The casting process is so important.
Financiers don't support their directors to cast properly. They don't have the vision of an artist. They're casting to spreadsheets, and it's making movies very mediocre. The movie business used to just be called the movies. Now it should be the business movies.
The way I pick movies is, first, if the script is any good. Then, if the script is good, who else is in it, the director, the producer, all that. If you have all that, there's a chance the movie will be great. If the script isn't right, or the director or cast isn't right, you've got no shot in hell.
99 percent of the time when you cast right, it's a dream. If you cast wrong, it's a nightmare.
All movies are alchemy and time is one of the ingredients that goes into the alchemy. You want the time to be right; you don't want to rush it. You need the right script, the right cast and the right feeling in the culture.
I started casting. I cast music videos, but I kept getting fired from jobs because I was iconoclastic in my ways of casting.
In corporation [corporate] religions as in others, the heretic must be cast out not because of the probability that he is wrong but because of the possibility that he is right.
I pride myself on doing character-driven movies and, when my movies have worked, it's been because of the right casting and the right character, and it just clicks.
Casting a film is to me one of the most important things next to the writing. If you cast it properly everything takes place very easily. If you cast it improperly you're fighting an uphill battle.
You're not cast because you're like someone or because you're sympathetic to them. You're cast because you can act.
I am a pathetic and gushing Nick Hornby fan, and I wanted to be in High Fidelity, and I wanted to be in About A Boy, and those two directors - one who's a dear friend, and one who has never cast me in anything, despite my pleading... So there was another Nick Hornby script going around being cast by a friend of mine, and she said, "There's a very small role in it, but you'd be right for it." I was like "I don't care how small, I'm going to be in this Nick Hornby film."
Casting out devils is mere juggling; they never cast out any but what they first cast in.
If they're going to cast one person and not another, it's not rejection of your talent, it's just that they want one person and not someone else. As an actor, unfortunately, it's not your job to cast the movie.
If you cast an all-white movie and it doesn't do well, no one will say it's because you had an all-white cast.
People look upon a person in TV as someone they can see for nothing. This is carried over in casting pictures. They're afraid; they will not cast a TV lead to be a lead in a movie.
What you do is get the right director and the right screenwriter and the right cast. It's a fantastic job.
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