A Quote by Mani Ratnam

There are filmmakers who get lucky with the first film itself, and then there are some of us who have to face difficulties. — © Mani Ratnam
There are filmmakers who get lucky with the first film itself, and then there are some of us who have to face difficulties.
We are all in the gutter, but some of us are looking at the stars. We all have clouds above us but some see their silver linings. We all face difficulties but some of us are grateful that they aren't worse.
I think I'm an actor. You can hire me. I can do a good job. But you also have to get lucky now and then. Every film-maker knows how hard it is to do a good film. You have to just make many, and see how lucky you get.
I don't try to make a place in history at all! People put me in the history of cinema because my first film, La pointe-courte, was so ahead of some other filmmakers. Many filmmakers have made resurgent work, and I was just a little ahead of the time.
I think it's the same thing for a country. We are lucky then that we can get some financing from the government, because it means when I get the money, when I get the grant to do the film, of course it's based on the script, but I have total artistic control and I can do personal stuff.
I was lucky enough to get a very good agent at the age of 15, and got my first film when I was 16, so it's been rolling on since then.
It's not like you do 'SNL' and then get handed movie roles. You work, you audition for stuff and try to get it. I think, a lot of people, it's the goal to be in movies or just to be working in general. But yeah, some of us get lucky and get some movie roles, and it's nice.
I hate to write and spend months just waiting for the film to get financed. Then when you start preparing the film and you shoot it, you've already forgotten why you wanted to make the film in the first place. I like to have some kind of coherent energy that takes you through writing, preparing, shooting.
People face difficulties, no matter who you are. I faced difficulties with a lot of things. I face opposition every day, but I didn't kill myself and now, thank God, I'm here.
One minute, I really am in awe of filmmakers, and I want to be working in film, and then the next minute, I get the itch to get back on stage.
I've been lucky in my career. I've worked with some of the greatest filmmakers and actors around. I'm so proud of some of my work.
'Lucky Life' is my second narrative film. I worked on the idea for 'Lucky Life' while in Rwanda for my first film.
When in the evening we are alone with our most existential thoughts, it is then that we come face to face with the most precious truths that we discover in our brief existence in this world. Just before fatigue envelopes us, taking us into sleep. We think of what our lives actually mean. And then we know how lucky we are if we still enjoy consciousness, rationality and love. But the greatest of these is love.
I loved American filmmakers when I was growing up. I didn't get to film school or anything. I was a very bad student. I just devoured film, but there was a point in my teens when I started to run a little film society.
I think all the great studio filmmakers are dead or no longer working. I don't put myself, my friends, and other contemporary filmmakers in their category. I just see us doing some work.
Perhaps it sounds ridiculous, but the best thing that young filmmakers should do is to get hold of a camera and some film and make a movie of any kind at all.
As I talk to film students now especially, I say, "The easiest job you'll ever get is to try to make your first film." That's the easy one to get, is the first film because nobody knows whether you can make a film or not.
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