A Quote by Mani Ratnam

What you write sets the visual style for the film. But you have to compromise your style in your first few films before people let you do what you want to do. — © Mani Ratnam
What you write sets the visual style for the film. But you have to compromise your style in your first few films before people let you do what you want to do.
Generally speaking, an author's style is a faithful copy of his mind. If you would write a lucid style, let there first be light in your own mind; and if you would write a grand style, you ought to have a grand character.
To write well, to have style ... is to paint. The master faculty of style is therefore the visual memory. If a writer does not see what he describes-countrysides and figures, movements and gestures-how could he have a style, that is originality?
As a songwriter, you tend to develop your own style, your own technique, based around what it is you're trying to write and perform, in terms of your own music. So a way of evolving a guitar style as a songwriter is much easier, I think, than developing a true style of your own just from listening to music or playing other people's music.
Don't worry about trying to develop a style. Style is what you can't help doing. If you write enough, you draw enough, you'll have a style, whether you want it or not. Don't worry about whether you're "commercial". Tell your own stories, draw your own pictures. Let other people follow you.
Style has become very important, the whole idea of style, what your personal style is. It's your identity.
The irony is that we're really good at comedy in Britain, but for some reason, we make very few comedy films. And when we do, they're either quite American in style, or very Richard Curtis. And I like Richard Curtis, but I think only Richard Curtis should write Richard Curtis films, and other people should try and find their own style.
As one of my creative writing professors once said, there are only seven plots. What makes those plots different is how you handle them, your voice, your style, and your way of thinking. That’s all. People can mimic your style, but they can never achieve your unique point of view.
I don't make comparisons between any movies. I compare characters. All my actions, performances, all my films, they are driven by the characteristic. If I'm playing a cop, then I give him a particular style - I may not know that style, but as an actor I have to be responsible to do your homework and do your research and training and stuff like that.
'Ouija' has a steady directorial hand, some attractive young actors who taking the silliness seriously, and few admirable genre elements. It renounces the faux-found-footage ShakyCam style, instead employing a traditionally smooth visual style.
In animation, you may be working with 20 writers, and everybody has to write the same thing. You can't have episodes that don't feel like they belong. In comics, you're gonna write a whole run, which means it's your style that's coming through. But when you're working on a show that's collaborated with a dozen other writers, you have to have a style that blends the show together. So you can't write it the way you normally would, because your script will stand out from all the others.
More than my other films, Uncle Boonmee is very much about cinema, that's also why it's personal. If you care to look, each reel of the film has a different style - acting style, lighting style, or cinematic references - but most of them reflect movies. I think that when you make a film about recollection and death, you have to consider that cinema is also dying - at least this kind of old cinema that nobody makes anymore.
Your personal style should evolve with age. To say you want the same style at 25 as at 45 is a mistake.
Find a poet whose style you like, emulate that style, then deal with things that you know about - don't waste your time looking for your own style.' I wish I could remember who told me that, because I'd like to congraulate him. I've emulated all the old guys - Tennyson, Alexander Pope.
Style has replaced elegance. Before, I believed that style is something a person embodied. But now it's so easy to buy good style if you have the money.
For me, style is essentially doing things well. If you want to be outrageous, be outrageous with style. If you want to be restrained, be restrained with style. One can't specifically define style. It's like the perfume to a flower. It's a quality you can't analyze.
You do not create a style. You work, and develop yourself; your style is an emanation from your own being.
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