A Quote by Mani Ratnam
My films are as much for the people as they are for me. The reception affects me, but doesn't change me as a person. That's important.
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I'm happy that my films were discovered by chance by foreign film festivals. That makes me realise more that there is a world outside Japan too. For me, it's an occasion to meet many people and to experience directly the response of international audiences to my films. But for me as a director, my attitude towards making films hasn't changed with the fame. I feel it's not good to change as a person anyway
People don't realize how badly verbal harassment and cyber bullying affects you. I wish they had hit me in the face and gotten it over with, because what they said to me, sticks to me to this day. It affected me into the person that I am today.
People ended up not thinking much of me. They saw me as a bit of a troublemaker. It's important to change people's impressions.
I am the same person who came to this city Mumbai a few years ago to act in Hindi films, and I am just continuing doing that. I did not change as a person. All that happens is people change around me.
Everyone was like, "You're life is going to change so much," but I don't think anybody recognizes me. Sometimes my friends will say, "Oh, that person recognized you," but I don't notice it. I don't even look at people when I walk because it weirds me out, if they're looking at me.
The films that have influenced me and the films that have motivated me and inspired me were films that resonated, films that made me think after I saw them.
I have my friends who like me because I'm me and not because I'm in films, and that's really important to me. They tell me, 'You look terrible; don't wear that,' or 'That joke wasn't funny,' and that's really important: they keep me grounded.
To paraphrase something the anthropologist Ashley Montagu once said, the way I change my life is to act as if I'm the person I want to be. This is, to me, the simplest, wisest advice you can give anyone. When you wake up and act like a loving person, you realize not only that you are altered, but that the people around you are also transformed, because everybody is changed by the reception of this love.
I've spent so much of my youth trying to change people or change girls and then having it done to me and people wanting me to change.
I'm interested in seeing films that confront me with new things, with films that make me question myself, with films that help me to reflect on subjects that I hadn't thought about before, films that help me progress and advance.
Addiction is more malleable than you know. When people come to me for therapy, they often ask me whether their behavior constitutes a real addiction (or whether they are really alcoholic, etc.). My answer is that this is not the important question. The important questions are how many problems is the involvement causing you, how much do you want to change it, and how can we go about change?
Don't ask me why the same producers cast me in their films. Maybe someone up there likes me as much as people down here.
People can look at me any way they want to. If somebody meets me and hangs out with me, they can see what kind person I am. I can't change for people.
Remembering people is the most fundamental gesture of love and respect. For me, there are people in my life who are no longer with me, who have died, who are with me as much as any living person because I remember everything about them. My great-uncle, who I got a lot of guidance in life from, meant so much to me.
My faith is an enormous motivator for me to engage as well, because climate change is not just an issue that affects the entire planet, it is one that disproportionately affects those who do not have the resources to cope with this change - those whom we are explicitly told as Christians to care for.
I guess, in a sense, 'Audition' was a film that gave me an opportunity that I hadn't had up until that point. So that's definitely one that is important to me. Then there's 'Visitor Q' that kind of taught me that there are some kinds of films that can only be made as low-budget films that really wouldn't work as anything else.
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