A Quote by Mani Ratnam

For a filmmaker, whether the film is liked, understood or appreciated counts as much as the moolah. — © Mani Ratnam
For a filmmaker, whether the film is liked, understood or appreciated counts as much as the moolah.
Truth is seldom appreciated and never understood, whereas a flattering lie is always appreciated and instantly understood.
For me, whether or not a film has some kind of massive budget or is an independent film, or however it's getting made, it's always about the filmmaker and, hopefully, being a vessel for the filmmaker's vision. That's what really attracts me to projects.
I left film because I felt that photography was my art. It was something I could do on my own, whereas film was so collaborative. I thought as a photographer I could make something that was artistic and that was mine, and I liked that. And it wasn't until I got back into film and I have very small crews and I could do very tiny filmmaking that wasn't 100 people that I still felt that I was making something artistic as a filmmaker. So, you know, I'm an artist, and whether it's photography or film, I want my voice to be there and I think my voice is very strong in this film.
I understood the importance of doing an Aaron Sorkin film. He's a political filmmaker.
What eventually counts is whether your film was successful at the box-office or not, or more so if the film has made its money, and 'Race 3' did that.
If you think you are a filmmaker... make a film, and then show it. You need to be able to finish what you started so it is presentable. When you screen it and see if your film has an effect on an audience, you will understand what it means to be a filmmaker.
I kind of liked the idea of filming musicians. I could like a musician and know, at the same time, maybe nobody else maybe liked them much or appreciated them.
As a filmmaker when you show your film to anybody, you want it to be liked. You want the reviews to be positive. After watching your film, you want people to feel good.
No one knows why a film does well or not. The reasons for this are not important. What is important is the intention you start the film with and the final state when the film releases on a Friday - whether people liked it or not.
I think caring too much about the economics starts affecting the creative aspect of the film. That is a dangerous process for a filmmaker. He should make his film without having to worry about how much it has cost or how much it will be sold for.
Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated.
Nowadays, individual style isn't just much more understood, but much more appreciated; that there's not one forced look that we're all supposed to adhere to, and everyone can find their place that way.
I liked 'The Darjeeling Limited' very much. There was a melancholy about that film that I liked.
Frankie appreciated both the accolades and the rejections equally, because both meant she'd had an impact. She wasn't a person who needed to be liked so much as she was a person who liked to be notorious.
I'm a film director. Gay is an adjective that I certainly am, but I don't know that it's my first one. I think if you're just a gay filmmaker, you get pigeonholed just like if you say I'm a black filmmaker, I'm a Spanish filmmaker, I'm a whatever.
I learned that you have to say that you're a filmmaker. You're not a screenwriter; you're not a director for hire. You've got to take charge. You're a filmmaker, and you're going to make a film.
This site uses cookies to ensure you get the best experience. More info...
Got it!