A Quote by Marc Forster

I always try to stay objective, and to remove myself from the process and look at the film again. — © Marc Forster
I always try to stay objective, and to remove myself from the process and look at the film again.
It is very important when you judge to recognize that you have to stay impartial. That's what the nature of my job is. I have to unhook myself from my emotional responses and try to stay within my unemotional, objective persona.
I create work, and I devote myself to the creative process, and I try to, you know, stay pure in that process and be worthy of the messages that I receive.
Film is definitely a director's medium. They're responsible for the look and everything, and you're a part of that process as an actor, and you try to contribute to the story. But I think it might sound a little pretentious for me to say I think of myself as an artist. I think of myself as a creative person.
Wars are fought to gain a certain objective. War itself is not the objective; victory is not the objective; you fight to remove the obstruction that comes in the way of your objective. If you let victory become the end in itself then you've gone astray and forgotten what you were originally fighting about.
I create work, and I devote myself to the creative process, and I try to stay pure in that process and be worthy of the messages that I receive. You can't sit down and write 300 compositions in a three-month period and think that you're doing it all by yourself.
Your first film is always your best film, in a way. There's something about your first film that you never ever get back to, but you should always try. It's that slight sense of not knowing what you're doing, because the technical skills you learn - especially if you have a film that works, that has some kind of success - are beguiling. The temptation is to use them again, and they're not necessarily good storytelling techniques.
Maybe I don't ever fully switch off, but I think the way I offset that is by splitting my time between film and music. I always want to challenge myself and grow, fail, self-flagellate, and then try again.
There are always things I have to remove. I might look at a shot for five months, when somebody new to the screening room will say, 'hey, there's a modern air conditioner in that window.' It's a process.
Always try to reinvent myself; never try to stay the same person, because that's how people figure you out.
I've always said I learned to defend myself from an opponent coming for a hard hit. Tricks are part of my repertoire; I use them to try to get past my opponents, but the objective is always to score goals.
I find that male directors are more interested in what the film looks like as opposed to what the film is about emotionally. My job is not to make the film look pretty, and I don't feel drawn to making myself look pretty within the film.
Soap operas are like boot camps for film actors, so I really learned a lot. It was a masterclass in working for camera. I made myself watch myself every day. I would sort of try and be objective about it and critique myself a little. There's a lot more skill set than people realize in soap operas. They shoot, like, 35 scenes a day.
My current project was shot on film, and because of that I've spent my entire day removing dust-specks from negatives. You wouldn't have to do that on digital because you don't get dust on the scanner. I say to myself, "Why am I doing this all day?" I could have just bought a digital camera and I wouldn't have to remove dust-specks ever again. But when you move closer to a film image, it has a real truth to it. And I really like that.
I try to stay away from certain stuff - I'm not a perfect human being. I try to represent myself as much as a good person could. I stay around the positive people.
A trap in dealing with difficult people is getting wrapped up in their personality. When we can stay objective and remove ourselves from other people's roller-coaster psychology, we have a much better chance of moving through the situation positively.
Previously I always thought it was just tactical and technique, but every match has become almost mental and physical - I try to push myself to move well. I try to push myself not to get upset and stay positive, and that's what my biggest improvement is over all those years. Under pressure I can see things very clear.
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