A Quote by Marcia Fudge

I'm a very direct person just generally. I don't use a lot of words unnecessarily. I try to get to the heart of the issue, address it and go on to the next thing. — © Marcia Fudge
I'm a very direct person just generally. I don't use a lot of words unnecessarily. I try to get to the heart of the issue, address it and go on to the next thing.
I try to get to the heart of the issue, address it, and go on to the next thing.
I'm a very political person. I'm a very opinionated person. I have a lot of opinions about LGBTQ representations in the media, and it's not just a gay community issue. It's a black issue. It's an Asian issue. It's a minority issue in general.
The thing that I do is that when I fail, I just keep quiet about it. I just let it go. It's done. I just go to the next thing. I don't complain, I don't go to - I pick my battles very, very judiciously, and I just assume that there's good in the heart of everybody.
I don't use a lot of words unnecessarily.
I'm a very direct person just generally.
I use a lot of narration; I have a very prosaic style. I like to get you invested in the character first and do a lot of work in the first pages of each issue to try to re-establish things and keep the symbolism of a story very tucked beneath the surface.
When something feels really big, too big to handle, just go very small. Just go real small, just look at the person next to you and look in their eyes and meet the person next to you, find out their name, change one person's life and make one call, write one letter, give one dollar. Whatever small thing feels like what you can do - it changes the course of the ship and that is all it is.
When I get started each day, I read through and correct the previous day's 2,000 words, then start on the next. As I reach that figure, I try to simply stop and not go on until reaching a natural break. If you just stop while you know what you're going to write next, it's easier to get going again the next day.
I don't go through a torturous intellectual process to decide what to direct. I know what I want to direct the second I read something or hear a story. I just know when it grabs me in a certain way I want to direct it. And then I spend the next four to six months trying to talk myself out of it, because directing is really hard! But it's true, I know essentially when and what I want to do next... it's an undeniable feeling I get and it's not the same feeling I get when I wind up producing something.
I'm generally a highly motivated person. I always try and be the very best I can be, so I'm just gonna try and take every day and be the best that I can be, and prove myself to the WWE Universe and the WWE in general, and see how far I can go.
Picture books are the distillation of an idea, and you have to use just the right words. I love that, and I try to use a lot of action verbs.
We just have to go to that next class, read that next chapter, help that next person. You simply have to do that next good thing, and before you know it, you're living a good life.
Even if, as is generally the case, everything that the ad says about the product is scrupulously honest, or at any rate scrupulously avoids outright dishonesty, the implication of the direct address of most commercials - that the announcer speaks with the viewer's welfare at heart - is fraudulent.
When I'm performing, the crowd just disappears, it's like everyone merges - one big person. You just say the words and people will say the words back to you. And it's just so rehearsed. I have a lot of songs I couldn't forget the words if I tried. So you get in there, you lose yourself and it's all good.
When men sit around and talk, they are very competitive. One person will tell an anecdote and the next person will try to top that. When you get six women together, they share a lot more. They will be far more interested in what the other person has to say. The conservation is more interactive and less about individually showing off.
I try to write very fast. I don't revise very much. I write the poem in one sitting. Just let it rip. It's usually over in twenty to forty minutes. I'll go back and tinker with a word or two, change a line for some metrical reason weeks later, but I try to get the whole thing just done.
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