A Quote by Margaret Mead

We women are doing pretty well. We're almost back to where we were in the twenties. — © Margaret Mead
We women are doing pretty well. We're almost back to where we were in the twenties.
At a conservative estimate, there are probably a million men and women in their twenties and thirties who would happily work long hours doing what most needs to be done, if they were paid something for it.
When I was young, I used to wear a lot of wigs, and I was running on stage at a gig and tripped over and it fell off. It was in the 1970s, and Swansea were doing really well in the league, and most of the team were there. I almost died, but I picked it up, put it back on my head and carried on.
Women who were housewives, who were pretty miserable ... felt inspired by her book and their life changed. They didn't become megastars, but they became a librarian or something. I've heard women say again and again when the subject of Germaine comes up: 'Well, her book changed my life for the better.' And they'll be modest women living pretty ordinary lives, but better lives.
I lived my twenties in a very public manner and if anyone's twenties are documented it's not always going to be pretty.
When I first started designing sportswear, I felt that women weren't represented in sports performance. I felt that men were dressed really well both technically and visually, and women were almost like an afterthought.
I've found that when I was young, all the pretty girls at school got all the dates and went to all the big parties and everything because they were pretty. They never bothered to develop anything. And as they aged, their prettiness faded and they were left as middle-aged women who were very, very unhappy and disappointed. But I can't feel sorry for them because that was their own doing.
I was a cover artist for years. I didn't start writing songs until I was in my mid-twenties. I wrote them with John Leventhal, and they were pretty bad. I was in my late twenties when I wrote the first song with him that made any sense to me about what I was rooted in and what spoke for me as an artist. That was 'Diamond in the Rough.'
I'm 47, I have gray hair, and yet people still come up to me on the street who are in their twenties, who weren't even born when 'Singles' was made... well, they were pretty tiny, anyway... and they say, 'Oh, I love that movie.' And I always say, 'How OLD are you?'
I wasn't the most talented player as a kid. Whenever I look back at the old footage, I didn't swing it very well and I didn't strike it pretty well, but I managed to score pretty well.
When I got out of my Twenties I stopped playing women that were victims. I like playing women who are strong and have a piece of mind.
I definitely divide my life into decades. Almost every ten years, something in my work life has changed. My twenties were my journalistic phase, then there was my screenwriting phase, then I became a director, then I started doing some plays.
The war in Afghanistan was fought for feminist reasons, and the Marines were really on this feminist mission. But today, all the women in all these countries have been driven back into medieval situations. Women who were liberated, women who were doctors and lawyers and poets and writers and - you know, pushed back into this Shia set against Sunnis. The U.S. is supporting al-Qaeda militias all over this region and pretending that it's fighting Islam. So we are in a situation that is psychopathic.
Well, it was actually - I brought the idea of doing a documentary to HBO back in 2000, when there were some press reports sort of were bandied about that there were going to TV movies based on some of the books that were out.
In the first two projects I've worked on professionally, I've been doing ensemble work with other young women, which I think is pretty cool. And they both were directed by and written by women. It's been a wonderful experience of real ensemble support and women lifting each other up, and I feel really lucky for that.
You'd have to put yourself back in the 1960s to understand how separate from the mainstream of American life soldiers felt themselves to be, because we knew that students and others were demonstrating pretty violently against what we were doing.
I played pretty well in my twenties, don't get me wrong! But my consistency is better [in my thirties], my momentum is better, my wins are quicker.
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