A Quote by Marianne Elliott

You need to see yourself in what you direct, I think - directing is quite self-indulgent from that point of view. — © Marianne Elliott
You need to see yourself in what you direct, I think - directing is quite self-indulgent from that point of view.
If you're in a band or think of yourself as a slightly creative person, you can get quite self-indulgent, so sometimes it's nice to have those people who bring you down to earth, but in a pleasant way.
I'll say this: I think from a directing standpoint, 'Loving' is my most accomplished film. Strictly from a technical, directing point of view.
[On how she goes about trying to live authentically] Well really listening to my point of view and if I am on a set, say, that doesn't really value a woman's point of view, regardless of how they feel, continuing to give my point of view and try to find a way to be heard and not diminishing myself because other people are diminishing me. Because that, I think, is the worst temptation that, you know, you judge yourself by how others are judging you, and to fall into that trap is to walk into the realm of self-annihilation.
Real people are what fascinates me, whether it's from an acting point of view or a directing point of view.
My advice is that it's easier to write than direct. If you have an interest in writing, write. You might as well start with yourself or some event you know well, and you need a point of view.
I bristle at the implication that only with the help of a Big Six editor does a novel lose its self-indulgent aspects. Before the advent of self-publishing, there were plenty of self-indulgent novels on the shelves.
I think when you can be supremely self-indulgent sometimes it's easy to get up one's own asshole. I need parameters. I need discipline.
I have a horror of being self-indulgent and wasting time, and there is that risk in doing this kind of work. Are you totally deluded in sitting down at a desk every day and trying to write something? Is it self-indulgent, or might it possibly lead to something worthwhile? At a certain point I decided to keep on because I felt like the work was getting better, and I was taking great pleasure in that.
First and foremost I have to look at the film from an audience point of view. Yes, one has to see the story from an actor's point of view as well so that you can showcase performance as well. However before that, I need to ensure hits.
But every point of view is a point of blindness: it incapacitates us for every other point of view. From a certain point of view, the room in which I write has no door. I turn around. Now I see the door, but the room has no window. I look up. From this point of view, the room has no floor. I look down; it has no ceiling. By avoiding particular points of view we are able to have an intuition of the whole. The ideal for a Christian is to become holy, a word which derives from “whole.
My point of view when I make a book or I make a movie is to see the humanistic point of view. The point of view of the daily life of normal people.
Folks need the Gospel. We need to have our hearts changed. We see people from a skewed point of view. We need to see people the way God sees them.
If you choose to do both [acting and directing] on a set, than you're admitting that you understand that everyone is in it for the same goal and it's a collaborative experience. You can't really jump into being an actor, and than direct yourself. At some point, you have to be willing to accept other people's opinions. I think that's helpful. If you try to micro-manage and control all of it, than you're probably heading for disaster.
I think you have to have a real point of view that's your own. You have to tell it your way. And, I think that it's a mistake to shoot for a specific magazine's point of view because it's never going to be as good. You have to shoot for yourself and photograph [ the way] you believe it.
It's very easy for one talking about violence and hatred for the white man to appeal to [Negro from ghetto]. I have never thought of this, but I think this is quite true, that if, even if you talk to them about nonviolence from a tactical point of view, they can't quite see it because they don't even know they're outnumbered.
Everyone that I meet always wants me to direct, but whenever I think of directing, I think of aligning shots. I'd definitely have to write and direct something. But I don't know if I could.
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