A Quote by Marianne Elliott

It's incredible how London-centric the theatre world is. Certain actors won't travel away from London anymore for work; practitioners often aren't taken seriously enough unless their work is seen in London; and it's sometimes very difficult to get national critics to review shows - especially if there's a clash with a London press night.
If you live in central London, that's probably fine for you, but in places like Edmonton, where you're almost out of sight of London, you've got to pay more and more to get into central London. How does that work?
'Kraken' is set in London and has a lot of London riffs, but I think it's more like slightly dreamlike, slightly abstract London. It's London as a kind of fantasy kingdom.
London is the most multicultural, mixed race place on Earth. And I love that. I grew up in a neighborhood in London where English wasn't necessarily the first language - maybe because of that, I love to travel. Every penny I've ever saved has been spent on airline tickets to different corners of the world. I think that's partly from growing up in London. I've taken that bit with me - this ability to fit in with any culture and be fascinated and respectful with any culture all started from growing up in London.
As far as cities, I love London. I go to London very often because I think the young people there are very creative. I also love New York, of course, and the clash of different cultures you find there.
I hope it's always going to be a mix between theatre, film and radio. I've been very lucky living in London that you can do all that - in New York and L.A., there's more of a structure for film in L.A. and theatre in New York. In London, our industry is smaller, but it produces brilliant work all in one place.
I lived in London, went to the London School of Economics, do a lot of business in London, and have a lot of fun in London.
A lot of London's image never was. There never was a Dickensian London, or a Shakespearean London, or a swinging London.
I think one of the London Film Festival strengths is that it's set in London but it's not about London. It's about the diversity of this city and it's about world cinema. And that's what London is - London is a place where its identity is always in a state of flux. So, this festival celebrates the way in which it is always changing. That's why London is a fascinating place and that's why the film festival is a fascinating film festival.
I've spent lots of time in London, I studied in London, I like London. It's just not my home.
Modelling was not very satisfying for me. I came to London to model, and I fell in love with the theatre. I was eating yoghurt every day so that I had the money to go to the theatre. I saw everything. It's still my dream to be on stage in London.
I could not cherish London and not value Jewish London. The contribution of Jews to London is immense - politically, economically, culturally, intellectually, philanthropically, artistically.
Once I moved to London I thought it was unbeatable. I work a lot in L.A. and love it, but would never give up London. It's a true world city, with an energy that's unique.
Paris is the playwright's delight. New York is the home of directors. London, however, is the actor's city, the only one in the world. In London, actors are given their head.
I live in Wales but spend quite a lot of time in London - I stay with my brother. When I get home after being in Manchester or London for a bit, I forget how dark the sky is, and I won't have seen stars for ages.
I moved to London, and it's a cliche to say that London is a melting pot, but it's true - I didn't stand out anymore.
I grew up in London, and that's where I spend most of my time. Unless I have a really good reason not to be, I'll always be in London.
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