A Quote by Marianne Elliott

If you put a blank canvas in front of Matisse and say, 'This has to be a success,' who's going to pick up a paintbrush? — © Marianne Elliott
If you put a blank canvas in front of Matisse and say, 'This has to be a success,' who's going to pick up a paintbrush?
Just slap anything on when you see a blank canvas staring you in the face like some imbecile. You don't know how paralyzing that is, that stare of a blank canvas is, which says to the painter, ‘You can't do a thing’. The canvas has an idiotic stare and mesmerizes some painters so much that they turn into idiots themselves. Many painters are afraid in front of the blank canvas, but the blank canvas is afraid of the real, passionate painter who dares and who has broken the spell of `you can't' once and for all.
Your body is not your art - it's your paintbrush. Whether your paintbrush is a tall paintbrush or a thin paintbrush or a stocky paintbrush or a scratched up paintbrush is completely irrelevant.
No one would want to pay a penny for an empty canvas by me. But it would be quite another if the empty canvas were signed by a great artist. I would be surprised if an empty canvas by Picasso or Matisse signed and inscribed with the words, 'I wanted to paint such and such on this canvas, but did not do so,' would not fetch thousands... After all, with an empty canvas, the possibilities are limitless, and so perhaps is the cash.
Many painters are afraid of the blank canvas, but the blank canvas is afraid of the truly passionate painter who dares-and who has once broken the spell of 'you can't.'
It's so fine and yet so terrible to stand in front of a blank canvas.
I think we're all born with this huge canvas in front of us and the paintbrushes and the paint, and we choose what to put on this canvas.
You wind up creating from silence, like painting a picture on a blank canvas that could bring tears to somebody's eyes. As songwriters, our blank canvas is silence. Then we write a song from an idea that can change somebody's life. Songwriting is the closest thing to magic that we could ever experience. That's why I love songwriting.
Just dash something down if you see a blank canvas staring at you with a certain imbecility. You do not know how paralyzing it is, that staring of a blank canvas which says to the painter: you don't know anything.
It's a marvellous life, a gregarious life that we've had. We're very lucky in that way. Unlike writers or painters, we don't sit down in front of a blank canvas and say, 'How do I start? Where do I start?'
Artists are the people that no matter what, pick up the pen, pick up a paintbrush. They take the time to translate what is happening to create something that resonates deeply with the rest of the people that are caught in the middle of their own reality.
I've tried, in periods of unemployment, to pick up a paintbrush.
I'm lucky enough that there is never a blank canvas in front of me... I have hundreds of projects that I want to do but I am running out of time.
In the middle order the game is a little more laid out for you, whether you are batting first or chasing down a score, so you are a bit more reactive to the situation in front of you. Opening up, it is pretty much a blank canvas and dependent on how you play.
Slang is really coded talk. I can say a few things, in front of somebody, that only people who know what I'm saying are going to pick up on.
... a canvas that I have covered is worth more than a blank canvas. My pretensions go no further; that is my right to paint, my reason for painting.
I never know what I'm going to put on the canvas. The canvas paints itself. I'm just the middleman.
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