A Quote by Marianne Elliott
I always loved and secretly wanted to do 'Company.' It was produced on Broadway in 1970, and it's about a successful 35-year-old guy who's starting to think he should get married.
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I always wanted to be a Broadway star. That's actually what I wanted to be when I was a kid. I wanted to be the 19-year-old sensation on Broadway. It took a little bit longer than that.
I was that 16-year-old who loved WWE, and I wanted to be a pro wrestler, but I didn't understand why I had to be the bad guy. I wanted to be like Jeff Hardy - I wanted to be like Rey Mysterio - but I was told I had to be the guy who screamed terrible things about America and attack people from behind.
When I naturally write a story and I feel that the guy is sitting across the table from the girl and flirting with her... I think, 'God, that can't be me' because I'm just too old for that part. You need a 30-year-old or a 35-year-old for that part. And so I've given myself less and less roles.
Full House was a show that was done for ten-year-olds. The critics hated it. They said terrible, terrible things about it. But it should have been reviewed by ten-year-olds. That's who it was made for. They loved it. And if they loved it, great. Why the hell does a fifty-year-old guy working at a big newspaper have to tell me I'm a piece of crap?
I had this whole plan when I graduated high school: I was going to go to college, date a few guys, and then meet THE guy at the end of my freshman year, maybe at the beginning of my sophomore year. We'd be engaged by graduation and married the next year. And then, after some traveling, we'd start our family. Four kids, three years apart. I wanted to be done by the time I was 35.
I think a lot of kids get scared by 'E.T.' Sometimes when I do the science-fiction conventions, I'll have a 35-year-old guy with tatts and piercings all over, and he comes up and says, 'You know, it scared me so much I still can't watch it.'
I think a lot of kids get scared by 'E.T.' Sometimes when I do the science-fiction conventions, I'll have a 35-year-old guy with tatts and piercings all over, and he comes up and says, 'You know, it scared me so much I still can't watch it.
You know you're ready to write a book when you have a feeling that you should do it, no matter what anybody says. It's like falling in love or starting a company. When you're still wondering if you should get married or you're still wondering whether you should start a company that might be not the right person or the right idea. And writing is the same way. When you've locked on to the topic, you'll just write it.
In 1970, as a 26 year-old, I joined in the effort in my home state of Massachusetts to organize for Earth Day. But what made the event so successful was that I was only one of about 20 million Americans of all ages and backgrounds who got involved.
You aren't advertising to a standing army; you are advertising to a moving parade. Three million consumers get married every year. The advertisement which sold a refrigerator to those who got married last year will probably be just as successful with those who'll get married next year. An advertisement is just like a radar sweep, constantly hunting new prospects as they come into the market. Get a good radar and keep it sweeping.
I have always wanted to do Broadway, my whole life, but I never knew I'd actually make it - it's a dream; it's never been in the realm of possibility. So to be doing 'Hello Dolly!,' it's not just Broadway, but it's the most joyful, sort of classic Broadway experience with the most extraordinary company.
I loved Frank [O'Connor], he was wonderful...just don't get on his bad side. I don't think I would have wanted to marry him, but I probably should have since I married idiots anyway.
There's still this idea that women are over by the time they are 40, so that they can't play the love interest opposite a 50-year-old man. George Clooney is 52, but he's always on the arm of a thirt-something actress. He gets Vera Farmiga. You don't get a 50-year-old woman on the arm of a 30-year-old guy.
I believe that starting any business should be as easy as a 10-year-old starting a lemonade stand.
I was born in an odd spot and was a very sensitive kid. My feelings could get hurt so easily because I always wanted to be loved, I wanted to be touched, I wanted to touch somebody. I wanted everybody to love me, so I think I was louder than I should have been. I was just trying to get attention. I always felt like I was somebody special, maybe it's because I needed to be somebody special.
I think half the people who get married now have met online. If I think about all the people in my life who married - they met online, online, online. And it makes sense if you think about it, because you fill out this form of 35 things that really define you and - bam - look, you've got two people who match. It works.
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