A Quote by Marianne Williamson

Nobody wants to die feeling that they have not sung their song. — © Marianne Williamson
Nobody wants to die feeling that they have not sung their song.
The little song and dance number at the end - that's me, my voice, howling out. It was a new experience for me. I've never sung before and I've certainly never sung on screen. I think I sung on stage when I was 13 and for some reason nobody's asked me to try it again since.
It's a misconception that I compose songs for girls. I have sung a song for Bhagat Singh, too, but nobody knows about it. I have sung about boys, but all of them are super-duper flop.
Nobody wants to get old, but nobody wants to die young either.
The nice thing about doing a pop opera is that, because the convention is set from the beginning that this is an opera and everything is sung, there is never that feeling of "Why is this person bursting out into song?" because the whole thing is sung.
The nice thing about doing a pop opera - in the way that doing, say, 'Miss Saigon' or 'Les Miz' would be - is that, because the convention is set from the beginning that this is an opera and everything is sung, there is never that feeling of 'Why is this person bursting out into song?' because the whole thing is sung.
Everybody wants to go to heaven, but nobody wants to die.
My problem starts when I see that in a situation when the girl is telling her feeling, say crying or laughing, the song is sung by a male singer.
My problem starts when I see that in a situation when the girl is telling her feeling, say crying or laughing, the song is sung by a male singer. Why?
In the modern operas that 'Miss Saigon' and 'Les Miz' are, nobody breaks out into song from conventional book dialogue. Everything is sung from beginning to end, including the recitative.
I love the song 'El Rey.' And for years, I never knew what the song was totally about. It was something new for me. I'd never sung a song in Spanish before. Then I got the translation and saw what a really cool song it was.
Donny Hathaway's 'For All We Know' is the song that I've sung the longest. It is a beautiful song about living in the moment and appreciating this very second. That is the song I did for my 'Rent' audition.
When you're younger, everyone wants to be a point guard. Everyone wants to shoot fadeaway jump shots all day. Nobody wants to be a big man. Nobody wants to go stand on the block and just set picks.
I've never really had anybody close to me die. I think the song is about a feeling that I have that, it still applies. It's a feeling of longing, once again.
You know, nobody likes to see innocent people die. Nobody wants to turn on their TV on a daily basis and see havoc wrought by terrorists.
It's not the coolest thing in the world to be walking around humming the Taylor Swift song. It's not as cool to be singing along with the number one song in the country as it is to be the jaded, indifferent hipster who wants to turn you on to something that nobody else is talking about.
When she awoke there was a melody in her head she could not identify or recall ever hearing before. 'Perhaps I made it up,' she thought. Then it came to her - the name of the song and all its lyrics just as she had heard it many times before. She sat on the edge of the bed thinking, 'There aren't any more new songs and I have sung all the ones there are. I have sung them all. I have sung all the songs there are.
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