A Quote by Marielle Heller
I like working in TV, but my real love is making movies.
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I'd like to do more TV; TV is completely different than working in movies in a lot of ways, it's like making a really compact movie. Because you don't have as much time, especially hour long shows, they move so quickly.
It's funny, I started by making fake American movies, 'The Transporter' and stuff like that. I was shooting in France, but everything was in English. But then afterwards, I was looking at real French movies like the Jacques Audiard movies.
It’s funny, I started by making fake American movies, The Transporter and stuff like that. I was shooting in France, but everything was in English. But then afterwards, I was looking at real French movies like the Jacques Audiard movies.
I fell in love with movies as a kid. I had been making shorts and making TV and making commercials and it's such a difficult, weird process of trying to wing your first feature, especially if you're not going to go and just have a Kickstarter and do it on your own.
Pretty early on in making the first movie I realized that this is what I wanted to do. I felt like by that time I just found my niche, like this is what I was supposed to be doing. So I completely submerged myself into the world of watching movies, making my own movies, buying video cameras and lights. When I wasn't making a movie, I was making my own movies. When I wasn't making movies, I was watching movies. I was going back and studying film and looking back at guys that were perceived as great guys that I can identify with. It just became my life.
I've done every imaginable job possible out there - movies, TV, animation, TV movies... and, at this point, almost reality, it seems. It's been a real blessing. It's been a great ride.
I can get a script and go, "Well, I'd rather do stand-up." I don't hold movies in higher regard. I love making videos and posting. I love TV.
Ideally I'd like to be working steadily as an actor: movies, a TV series, that sort of thing. I've been through a few different TV development cycles, and they didn't work out. When the time and project are right, it'll come together. Like I tell a lot of guys, it's not a race; there's no finish line.
I like both movies and TV, for different reasons. Films are amazing. It's so historic and exciting. Television, for me, is great because I love to act, every day. I love to learn, and I love to be able to just do what I love. It's when I'm at my best. So, I love TV for that reason because it's every day.
It seems crazy moving from making little movies to making like literally movies with Marvel, which are like the biggest movies that they make.
I've been making movies for a long time. The Japanese way of making movies has become second nature to me. To get away from that, I really try to surround myself with younger staff and approach making movies not like a veteran of the industry but always as a beginner and a rookie.
I mean, I love L.A. - I love living here. But I wish that we could make things without the need to hit a home run every single time. It's a unique thing to Hollywood that if you don't do that every time, then you're considered a failure. But it's like, 'Well, are you making movies to be successful? Or are you making movies to learn something?'
Theater makes working in movies or TV seem like a cake-walk.
More and more movies have been pressured to allow reporters and TV cameras to come onto the set while you're working, and I find that a real violation
More and more movies have been pressured to allow reporters and TV cameras to come onto the set while you're working, and I find that a real violation.
Watching violence in movies or in TV programs stimulates the spectators to imitate what they see much more than if seen live or on TV news. In movies, violence is filmed with perfect illumination, spectacular scenery, and in slow motion, making it even romantic. However, in the news, the public has a much better perception of how horrible violence can be, and it is used with objectives that do not exist in the movies.
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