A Quote by Marion Dudley Cran
Nature with her wonders blinds and binds one still. There is no escape. I love her utterly through all time and times. All over the world towns to me are prison; green fields are home.
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When I was doing 'Scarface,' I remember being in love at that time. One of the few times in my life. And I was so glad it was at that time. I would come home and she would tell me about her life that day and all her problems and I remember saying to her, look, you really got me through this picture because I would shed everything when I came home.
Her body was a prison, her mind was a prison. Her memories were a prison. The people she loved. She couldn't get away from the hurt of them. She could leave Eric, walk out of her apartment, walk forever if she liked, but she couldn't escape what really hurt. Tonight even the sky felt like a prison.
Bina rolls her eyes, hands on her hips, glances at the door. Then she comes over and drops her bag and plops down beside him. How many times, he wonders, can she have enough of him, already, and still have not quite enough?
Nature is not made after such a fashion as we would have her. We piously exaggerate her wonders, as the scenery around our home.
Nature! We live in her midst and know her not. She is incessantly speaking to us, but betrays not her secret. We constantly act upon her, and yet have no power over her. Variant: NATURE! We are surrounded and embraced by her: powerless to separate ourselves from her, and powerless to penetrate beyond her.
Nature, at all events, humanly speaking, is manifestly very fond of color; for she has made nothing without it. Her skies are blue; her fields, green; her waters vary with her skies; her animals, vegetables, minerals, are all colored. She paints a great any of them in apparently superfluous hues, as if to show the dullest eye how she loves color.
He thinks about her, at this moment, in her house, a few thin walls away, packing her life into boxes and bags and he wonders what memories she is rediscovering, what thoughts are catching in her mouth like the dust blown from unused textbooks. He wonders if she has buried any traces of herself under her floorboards. He wonders what those traces would be if she had. And he wonders again why he thinks about her so much when he knows so little to think about.
She had learned, in her life, that time lived inside you. You are time, you breathe time. When she'd been young, she'd had an insatiable hunger for more of it, though she hadn't understood why. Now she held inside her a cacophony of times and lately it drowned out the world. The apple tree was still nice to lie near. They peony, for its scent, also fine. When she walked through the woods (infrequently now) she picked her way along the path, making way for the boy inside to run along before her. It could be hard to choose the time outside over the time within.
The piebald mare paws at the sand; I see her digging out of the corner of my eye and hear her grinding her teeth. That bridle's her curse, this island her prison. She still smells of rot.
If you remove the English Army tomorrow and hoist the green flag over Dublin Castle., unless you set about the organization of the Socialist Republic your efforts will be in vain. England will still rule you. She would rule you through her capitalists, through her landlords, through her financiers, through the whole array of commercial and individualist institutions she has planted in this country and watered with the tears of our mothers and the blood of our martyrs
There's unconditional love there. You hear that phrase a lot but it's real with me and her [June Carter]. She loves me in spite of everything, in spite of myself. She has saved my life more than once. She's always been there with her love, and it has certainly made me forget the pain for a long time, many times. When it gets dark and everybody's gone home and the lights are turned off, it's just me and her.
Her little shoulders drove me mad; I hugged her and hugged her. And she loved it. 'I love love,' she said, closing her eyes. I promised her beautiful love. I gloated over her. Our stories were told; we subsided into silence and sweet anticipatory thoughts. It was as simple as that. You could have all your Peaches and Bettys and Marylous and Ritas and Camilles and Inezes in this world; this was my girl and my kind of girlsoul, and I told her that.
Once I was walking from The Mercer in New York - because otherwise I don't walk anywhere - and this woman paparazzo who was following me fell over a fire hydrant and her whole tooth went through her lip. I leant over her, saying, 'Are you all right?' and she was still taking pictures.
I knew Marilyn over a two-year period. I met her first on a movie called 'Let's Make Love.' I photographed her at that time on and off through the time of her death. I was 22 years old and she was 34 or 35.
When Eleanor's arm touched his he felt his hands grow cold with deadly fear lest he should lose the shadow brush with which his imagination was painting wonders of her. He watched her from the corners of his eyes as ever he did when he walked with her-- she was a feast and a folly and he wished it had been his destiny to sit forever on a haystack and see life through her green eyes.
Morality binds and blinds. It binds us into ideological teams that fight each other as though the fate of the world depended on our side winning each battle. It blinds us to the fact that each team is composed of good people who have something important to say.
