A Quote by Mark Duplass

I think 'Cyrus' has a lot of fat in it. It was a $7 million movie. If you're going to make a movie with famous people, you don't necessarily need to spend 7 million dollars. Make it for less than that, and you'll be able to sell it and make a ton more than that, and everybody shares the profits.
I don't think you need $35 million bucks to make a movie. I think what people should do is make a lot more movies for a lot less money. You can really do it.
I had a teammate whose motto was, 'If I make a million dollars, I must spend a million dollars.' I was like, 'If I make a million dollars, I'm hoping I can keep a million dollars.'
The movie business is not about the money. Of course, you need money to make the movie. If you have a small budget, adapt yourself. Having $200 million dollars doesn't ensure that you're definitely going to make a good movie. There's so many examples that prove that.
You don't have to make, you know, $3 Million dollars a movie, or $20 Million dollars a movie, but if you make a living doing what you love doing, then that's success to me.
People call me a movie star. If you're in the business, a movie star is someone who can make a film bankable. My name and $6 million will make a $6 million movie. I'm a working actor. Because I started late, I had a very short run as a leading man, and my films didn't make money in America.
I made 'Super' for $3 million, and that was filmed in 24 days. And that $3 million dollars went to a lot of things other than what shows up on screen. Once you get done with the unions and everything else, that's just, like, the basic cost of what you can make a movie for.
To the economically illiterate, if some company makes a million dollars in profit, this means that their products cost a million dollars more than they would have without profits. It never occurs to such people that these products might cost several million dollars more without the incentives to be efficient created by the prospect of profits.
Along with loving the script, the reason I did 'Aeon Flux' was because I needed the job, and I couldn't find $5 million to make a movie independently - after making a fairly successful movie for a million dollars.
If we got $100 million dollars to make a movie, I don't know if we should be making a $100 million dollar movie our first time out.
Maybe I'll just write books. I'd like to make another movie, but I don't want to go back and [do] what they want you to do, to make it for a million dollars. I did that. I don't need a lot, but I need what I used to get, and they don't give you that anymore.
If someone offered me a hundred million dollars to make a movie? I would first remind him that there are 850 million people in the world who don't have enough to eat.
This is going to sound horrible, but I don't even know how much I make in a year. It must be, you know, a couple of million dollars, a few million. I know it's more money than my dad, a jail guard, made in his lifetime; more money than I'll ever need.
We have so many films that we can fit into the slate a year, and we spend $100 million on those films in order to make $400 million dollars. We don't spend $20 million in hopes of eking out $40 million.
There are things that are happening way earlier than that when it comes to someone deciding whether they're going to spend x amount of millions of dollars on a movie. I want $100 million success. The moviegoer is the person I'm more interested in than the Academy.
Yes, you can have art films about the triumph of the human spirit and all of that, but you'll have it done with a big-budget icon with a $20 million salary. You'll have Julia Roberts, you'll have Robert Redford, you'll have Russell Crowe doing those films, because if they're going to cost $90 million, they're going to make that movie for a public that's very large and mainstream. They're not going to make it for three or four million black people.
You can take a handful of dollars, a good story, and people with passion and make a movie that will stand up against any $70 million movie.
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