A Quote by Mark Krikorian
Well, enforcement theater is OK if it's reality theater. In other words, obviously, you want to make it clear, you want to make people see that the law is being enforced.
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When I put something into motion, the creativity starts to make other people want to jump in, and then a lot of people get employed. I'm just like a shark, in that way. If I stop swimming, I'll die. But, it really is about that shared experience with people. I'm from theater, and that's really what theater feels like.
I want to make movies that people talk about when they leave the theater, that aren't clear-cut, but effective and fulfilling in some sense.
To me, what is important in the theater is that we don't want to make a conclusion. We don't want to make a statement, don't want to say what something is. We want to ask, 'What is it?'
You can't make theater happen without actors. The actor is the central ingredient in making theater happen. Audiences may come to theaters to see the work of stage managers, directors and producers, but the only people who can communicate theater magic to audiences, through ideas and emotions, are the actors. They are the only ones who can communicate this by themselves, and if necessary, they can get along without you. But you can't make theater without the actor.
When you play arenas you can create whatever you want. At a theater the height of the stage and the limitations of the theater can make you feel more separate from the audience.
You want to come in and prove yourself early. Obviously, it is a responsibility being drafted that high to come in and play well and to make an impact. If not, youre going to get cut. So you have to come in, make the team, have an impact and do something special. And I feel that, obviously, internally. I feel an obligation to myself to do that but obviously the organization, the fans, this community. I mean, they dont want to see a first-round draft pick be a bust, so I feel I have to come in and hopefully make an impact early.
I think wrestling is the one that presents theater for people who want to see some theater but don't necessarily have to dress up or be quiet while they're watching.
Prohibition cannot be enforced for the simple reason that the majority of American people do not want it enforced and are resisting its enforcement.
I want to make 'Broadway' a word that doesn't have pejorative connotation. I don't want 'musical theater' to be a dismissive term. I want it to be something that people can be proud of, that people can say, 'Look at the possibilities.'
One of the challenges was to make a cinematic movie about literally talking heads and to try to make it feel like something you want to see in a theater.
I want to keep working. I want to step away from young adult fiction. I want to do theater periodically - Farragut North reminded me how great it is. I started out in theater. I trained in theater and then I kind of fell into film and TV. I want to work with interesting artists, talented actors, talented directors, and talented scripts. Not necessarily leading roles.
A theater is being given over to market forces, which means that a whole generation that should be able to do theater as well as see it is being completely deprived
A theater is being given over to market forces, which means that a whole generation that should be able to do theater as well as see it is being completely deprived.
I want to do theater and I am looking forward to doing more Television and Movies. I also want to direct some plays in theater workshops for people with disabilities.
I want the type of career where I can come back to theater. Theater is my home. Theater, to me, is like ballet for dancers. It's my foundation.
I looked at theater, in the sense that theater is unmanipulated. If I want to pay more attention to one character on stage than another, I can. I think there's not enough theater in film and not enough film in theater, in a way.
