A Quote by Mark Parker

I have sketched since a young age, so there's always been an artistic side, a visual side to my personality. — © Mark Parker
I have sketched since a young age, so there's always been an artistic side, a visual side to my personality.
I think the narcissism comes from the industry side of things. The artistic side of a person is never narcissist; it's always empathic, it's always kind and compassionate. It can be difficult to hold onto artistic principles when the business is so glaringly about the product. It's sad.
We're on Twitter with one side of our personality, and Facebook with another, and LinkedIn with another side of our personality, and we're toggling between them. That's just a version of what an impostor does: shifting from one side of their personality to another with lightning speed.
All personality traits have their good side and their bad side. But for a long time, we've seen introversion only through its negative side and extroversion mostly through its positive side.
I always wanted to be an actor, so part of me is split between the artistic side and the physical side, but then physically I was just born as quite a healthy specimen!
I know there's a creative side to artists to - pardon me - there's a creative side to scientists already, but there may be an artistic side, too, waiting to break free.
There's been this sort of attitude in media in the past in this country that it's not our job to fall on one side or the other. But what I'm suggesting is that in this day and age, there is no deciding not to fall on one side of the other. You're going to be on a side, so you've got to lean in and choose the right one.
You have a good side and bad side, real side. Then I put that on in the ring. My character, my personality in the ring, came from heel stuff.
The Victorians have been immoderately praised, and immoderately blamed, and surely it is time we formed some reasonable picture of them? There was their courageous, intellectually adventurous side, their greedy and inhuman side, their superbly poetic side, their morally pretentious side, their tea and buttered toast side, and their champagne and Skittles side. Much like ourselves, in fact, though rather dirtier.
I like to be as diverse as possible. I think the humorous side and the serious side are both elements of my personality. It's what makes me who I am and if I was to neglect either one of those sides and just focus on one of them, it wouldn't be the full spectrum of my personality.
I've just been very interested in the living side of Washington, rather than the federal side, since I was a kid.
When you are on the management side, you still have to understand the artistic sensibility so that there is a dialogue with the creative side.
I'm a very visual thinker, so the characters are running through my head, doing what they're doing when I'm writing them. And there'll be moments where I'll just kind of throw a look off to the side as if I'm talking to one of the characters. It's always been something that I've had with me since I was a little kid.
I've never been in the position where that conversation is a serious conversation before the movie even comes out. On one side of it, that's so great because you've got such great potential. The other side of that is that there's a level of pressure. Now, that clearly means that there's an expectation level, from the studio side, potentially from the audience's side, and from our side.
There is a lot of music out there that you can play side by side and you can't hear the personality - that has a timeline on it, for sure.
We're always on the side of the animal that's being chased. We always seem to be on the side of the rabbit or the fox and not on the side of the hounds.
The chances are you've never seen the other side of me. You've seen the event side of me when I'm on stage. But there is another side of me. If you evoke that side, you won't like it. It's a nasty side. You don't want to see that side. You're not missing anything by not seeing it.
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