A Quote by Mark Romanek
If you happen to have a spare $100 million floating around, then you're my producer.
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When 'The Pacific' came around, I had to audition the old-fashioned way. It was the casting director and then the producer and then another producer and another producer and then Spielberg and Hanks.
America is a nation of 270 million people: 100 million of them are gangsters, another 100 million are hustlers, 50 million are complete lunatics, and every single one of us is secretly in show business. Isn't that fabulous?
Now a movie with 30 million returns would be something very incredible and the producer can only get 10 to 15 million. This is only 100 thousands US dollars. This is not enough!
If you want to survive in the film industry, it's not about fighting for your visions because that's a given. It's thinking about how much is your vision going to cost, and then, what are the consequences, because you may have $100 million, but the reality is that $100 million needs to make $500 million to be a success.
I first would allow the guilty bankers to pay, you know, the ability to pay back anything over $100 million [of] personal wealth because I believe in a maximum wage of $100 million. And if they are unable to live on that amount of that amount then they should, you know, go to the reeducation camps and if that doesn't help, then being beheaded.
I would say the most important aspect of direction is that you, as a director, and your producer need to be on the same page, the same line of thinking. If that doesn't happen in the beginning of the film, then that will show in the final product 100 percent.
In fact, one of the arguments for searching for intelligent life in space, elsewhere, is that we have no evidence that intelligence has any survival value. The most successful creatures on this planet are the cockroaches. They've been around, what is it, 100 million years or so and I suspect they'll still be there 100 million years in the future. Maybe intelligence is an evolutionary aberration which dooms its possessors in the way armor may have doomed some of the dinosaurs.
They say I'm worth either €200 million, €100 million, €50 million or €10 million, but that's something between God, the HMRC and myself.
Jeff Sachs has the Millennium Villages. He spends $2.5 million in one village. It's an absolutely ridiculous model, because I've said that if you gave me $2.5 million, I can train 100 grandmothers, solar electrify 100 villages - 10,000 houses - and save you 100,000 litres of kerosene.
If we got $100 million dollars to make a movie, I don't know if we should be making a $100 million dollar movie our first time out.
I tried it 100 or a million times it couldn't happen again. If I could, I would have carried on playing.
I don't think anyone's worth $100 million if Michael Jordan wasn't, but hey, that's what Abe Pollin thought I was worth, and if someone puts $100 million in front of you, you're gonna take it, too.
I don't see me doing $100 million films because $100 million films, the very nature of them, you need to offend as few people as possible just to make your money back.
Such platitudes as "If you believe it, it will happen," "If you give 100%, you get 100%," "Good things happen to good people" people utter when we don't know what else to say. There's comfort in platitudes, and every so often they're accurate, but mainly they're hollow words. It's a sign of how little we're able to directly address the world around us. The language of the times reveals our avoidance.
The producer can put something together, package it, oversee it, give input. I'm the kind of producer that likes to take a back seat and let the director run with it. If he needs me, I'm there for him. As a director, I like to have the producer there with me. As a producer, I don't want to be there because I happen to be a director first and foremost, I don't want to "that guy."
I'm projecting somewhere between 100 million and 200 million computers on the Net by the end of December 2000, and about 300 million users by that same time.
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