A Quote by Mark Romanek

I err on the side of a kind of optimistic agnostic sense that there's something that put us all here - some energy or something that we are not in a position to understand.
As all creative people, we have our optimistic side and a darker side. Yes, I would say that I am more optimistic than not. I have written some very lush pieces when I was at low ebb, and some highly energized pieces when carrying a great sadness. It seems that I am getting more optimistic as I get older - life is a lot of fun!
The kind of hope that I often think about…I understand above all as a state of mind, not a state of the world. Either we have hope within us, or we don’t. It is a dimension of the soul It’s not essentially dependent upon some particular observation of the world or estimate of the situation. Hope is not the conviction that something will turn out well, but the certainty that something makes sense, regardless of how it turns out.
Quantum theory also tells us that the world is not simply objective; somehow it's something more subtle than that. In some sense it is veiled from us, but it has a structure that we can understand.
Quantum theory also tells us that the world is not simply objective; somehow it's something more subtle than that. In some sense it is veiled from us, but it has a structure that we can understand.
Photography has always been important to me for that, being able to make sense of something or understand something or remember something or laugh at something.
I choose to suppress the initial categories I want to put people in - rich, poor, together, not together, druggie, yuppie, rocker, loser, winner, cool, uncool. I choose to remember that I don't know their struggle or their pain. I choose to err on the side of grace because someday I'll stand before God, and I pray He'll err on the side of grace with me.
Television will always err on the side of making something not quite as classy as it could be.
In order to understand people, we have to understand their way of life and approach. If we wish to convince them, we have to use their language in the narrow sense of the mind. Something that goes even much further than that is not the appeal to logic and reason, but some kind of emotional awareness of the other people.
You can't fake anything. If you're honest and true and you love something, and you put that energy into it, people can usually feel it on the other side.
I know that some filmmakers strive for a kind of naturalistic approach, but you're never going to capture something that's really natural - just the simple fact that you choose to put a frame around something means that you've already chosen one particular thing to put more attention on.
I'm a big believer in sort of sense memory, like using something that you've experienced in order to put yourself in the position that the character is in.
The most basic definition of a story is 'Somebody wants something and something's in his way,' and I'm more likely to be engaged if I at least think I know what those two 'somethings' are. They can be simple, they can be complex, but - particularly if you're a beginning writer - I'd rather you err on the side of revealing too much than too little.
I think we need to remember...that a lot of energy was put into changing things to get us to the point where we are now. But being where we are now doesn't mean that we don't have to put in the same kind of energy to get us to a place where we ought to be.
That is, you can have nothingness, absolute nothingness for maybe a tiny fraction of a second, if a second can be defined in that arena, but then it falls apart into a something and an anti-something. And that something is then what we call the universe. But can we really understand that or put rigorous mathematics or testable experiments against that? Not yet. So one of the big holy grail of physics is to understand why there is something rather than nothing.
Often much of my work is very optimistic, or solution-based. I have always believed that art is a tool for transformation, and something that should give people some kind of agency.
Forgiveness, in some cases, is a flipping miracle in the sense that you're fighting, and suddenly something happens. It's a kind of grace. Whether you believe in God or not, something happens, and it's transformative.
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