A Quote by Mark Waters
I can tell you that from the director's chair, young actors love to be challenged, to be given killer lines that take time to wrap their mind around.
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The best directing style is the one that lets me do whatever I want. Seriously though, I like to be challenged and I like to collaborate. I love finding the medium between what I think and what a director does. I hate when a director uses the "my way or the highway" approach. But it also sucks when they tell you everything you do is great and offer no input. It's a fine line a director has to walk. It is a hard job.
When you're the director and the writer, you never have to remember your lines, and there's no one to call you on it. On Garden State I did different lines on every take, just making crap up. And it was great each time.
When you hire great actors, you're lucky, so you just try to create an atmosphere where they can succeed and relax and take risks. You're happy that you get to watch them at the monitor and that your name is on the director's chair.
English was my fourth language. I arrived, I enrolled in public school, as a child, I believe I was about six years old when we finally landed in Michigan. And I was initially put in special education because I couldn't quite wrap my mind around the English language because I was listening to Hungarian and Albanian and German. My mind broke down like I couldn't quite wrap my mind around the fourth language.
Those who don't feel this Love pulling them like a river, those who don't drink dawn like a cup of spring water or take in the sunset like supper, those who don't want to change, let them sleep on. This Love is beyond the study of theology, that old trickery and hypocrisy. If you want to improve your mind that way, sleep on. I've given up on my brain. I've torn the cloth to shreds and thrown it away. If you're not completely naked, wrap your beautiful robe of words around you, and sleep on
One thing that I have learnt from many senior actors is that you can never take anything for granted. Whether one is working with the best director or a first-time director, every experience teaches you a lot.
I love young adult fantasies. While I say that, I have not seen all of the Twilight and Harry Potter movies. But I've read all of the books, and I love them. I love them because I enjoy being transported to a different world and having my imagination challenged. That's a huge part of what we do as actors. We have to imagine ourselves in a different world. And when you are in a young adult fantasy, it challenges you in the best way.
I'm not as klutzy as I used to be... I've had visual therapy and all kinds of things to help, but I still wrap my purse around chair legs when I stand up to leave. I do ridiculous things on camera because I do them in my life all the time.
I love to be challenged, and I'm never sitting comfortable in the mediocrity chair.
I love the theater of the mind because you can go anywhere. You can say anything, and you pull people in. [You] can be jumping out of a window or riding a cow or having bubble-wrap sex or spraying your body with Pam and sliding out of your chair.
It is difficult to wrap your mind around this intellectually and until you've had the experience, it can be difficult to understand. I tell people to give it a shot; you have nothing to lose.
You know the first time I sat in the chair I felt anything but up, it was very emotional for me. I had a chair in my hotel room, a chair at rehearsal, and I was trying to spend as much time as I could in the chair.
I can tell you it makes a big difference to have a director who is collaborative. What motivates a character in my mind could be completely different from what the director's thinking. You have to have those conversations ahead of time and throughout the process. It affects the performance.
To go into more specifics regarding actors, whether they're from Korea or the U.S., all actors know if they are loved by the director. When they feel that love from the director, they respond by giving a great performance on camera. Also, everyone on set - the crew, the actors - they were aware of the film's message and its broad theme, so these big issues were never discussed on set.
'Killer Joe' provides a lot of red meat for the theater. Pam MacKinnon is the perfect director to shepherd a group of actors who share a certain bloodlust.
Young actors, fear your admirers! Learn in time, from your first steps, to hear, understand and love the cruel truth about yourselves. Find out who can tell you that truth and talk of your art only with those who can tell you the truth.
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