A Quote by Marshall Sylver
There are only 2 reasons that someone would want something in their life and not get it. First, they don't know what to do and second, they know what to do and don't know how to get themselves to do it consistently, if at all.
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Now all of us in our thirties are the first generation that get to say, "I don't know how I feel about that system, I don't know if I want kids, I don't know if I want to get married."
I don’t know what world you live in, but in mine, people only do things for you for one of two reasons. The first is if they want something in return. And the second is if they feel like they owe you something.
You know, unfortunately divorce it happens in Kansas as much as it does in Hollywood. And, you know, women having to start over at 40, you know, for the first time in their life having to find a career and being a single parent and having to date. You know, all of those things happen everywhere in the world. It's not just Los Angeles. So I would defend the fact that there are, you know, there are other reasons to watch than just to get a laugh.
In North America, people get a sense that something is really wrong in government and in our culture. There is a corruption, not only in politics, but of spirit as well, when people are so quick to be violent with one another. I think everybody would like to be able to find a solution to make things better. We have the desire to reform inside of us, and we get frustrated because we don't know how to change things, even if it comes to our own behavior. Sometimes you get frustrated because you don't know how to stop that thing that you know is either hurtful to yourself or someone else.
Anyone who has ever accomplished anything of any consequence, didn't know how to get what they want, they only knew that they were going to get it. You don't know how to do something, until after you've done it. Our problem is, we set goals to do what we think we can do or what we've already done. There's no inspiration in that.
In cinema people are always walking into something and saying this is who I am, what I want, and how I'm going to get it and we don't in life - particularly not in public situations. People might know your first name, not your last name, they don't know what you do, and you're not going to offer it up. So if you start there and you realize this is a much more normal presentation in a film then you would ordinarily have; you know that there is a big life behind what everyone presents and that I think is super interesting.
I don't know how to write without thinking what people would want. You don't know whether they want you to be black or white, so you kind of get a gray, something in the middle.
I've had such a great run with The Dutchess...and now this. You know, it is so interesting how in this business, the second you start dating they want to know if you're engaged. The second you're engaged they want to know when you're going to be married. The second you're married, they want to know when you're having children.
There are the two main reasons we don't get our needs met. First, we don't know how to express our needs to begin with and second if we do, we forget to put a clear request after it, or we use vague words like appreciate, listen, recognize, know, be real, and stuff like that.
My major regret in life is not going to university, though not for the qualification I would have gained. People I know who went there have a working method where they sit down and get something done; they know how to start and get on with things. I will do anything to avoid getting on with stuff.
You would be surprised how many directors don't know what they want. They might not know what they want until they see it, they might know what they want but no idea how to get it out of the actor, then you've both got a problem.
I don't go through a torturous intellectual process to decide what to direct. I know what I want to direct the second I read something or hear a story. I just know when it grabs me in a certain way I want to direct it. And then I spend the next four to six months trying to talk myself out of it, because directing is really hard! But it's true, I know essentially when and what I want to do next... it's an undeniable feeling I get and it's not the same feeling I get when I wind up producing something.
You're so connected to people and they all know how to get to you, and everyone knows who you are, so explicitly. They think they know you. It's like, 'You really think you know me? I don't know me! How do you know I'm not different around someone else?
I'm actually not so sure what I'm hoping to find making photographs. You always want to come back with an image that's interesting visually, and you hope to get something from the person you photograph that's different than other images you know of these people. I don't know how I go about it. I also don't know how exactly what I set out to get other than these two things.
I have the advantage of having found out how hard it is to get to really know something. How careful you have to be about checking your experiments. How easy it is to make mistakes and fool yourself. I know what it means to know something.
It used to be irritating just because someone can meet you and before they would get a chance to get to know you, they’ll go find someone else’s story about who I am. For me personally, I just always think it’s more interesting to get to know the person myself.
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