A Quote by Martha Plimpton
Very often a job will come along that speaks to the place you're in as a person at that very moment. And usually once I've done it I feel like that part is over.
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I believe, and this is something I also learned from Alice Munro, that there's a moment where the personal becomes totally universal. When you see that person in their pathetic moment, that's the moment where the completely unifying sympathy with that person is possible - where you're no longer a person here and they're someone over there, and you can really feel like one, you can really feel like a human being. Or more like, you can really feel like flesh and blood, because I feel like that moment is the same thing with animals.
Holocaust is very much a part of present discussion all over the place. There are little plaques everywhere you go around in different neighborhoods. "This person here was prosecuted." "This person was sent to this concentration camp." "A family of Jews lived here. They took over his business." Little, very discrete, very dignified plaques are everywhere.
When a person feels disposed to over estimate his own importance, let him remember that mankind got along very well before his birth, and that in all probability they will they will get along very well after his death.
If you come at the record feeling really happy and optimistic, it can be incredibly beautiful and uplifting, and if you come at it in a bleak moment, it can feel like a very dark place to share. It's all down to the listener.
I'm kind of a morbid person. I'm very optimistic, but I also feel like I'm going to die at any moment. I feel very much aware of my mortality. I'm here, and then I'm not.
I try to come to my reporting as a real, whole person, not an automaton. And it's always one of the strange discomforts of the job, that you're in this very intense moment in someone's life - you're engaging with them nonstop - and then suddenly your piece is out and that's done. It always reminds me that the journalist's job isn't to be someone's friend, or their psychologist, or anything other than what we actually are. And at the end of the day, that can definitely seem like such a strange, extractive relationship.
There is no getting around the fact that the moment you are at your very best is the moment you begin to become worse and worse. Others will come along who can run faster, jump higher, hit harder, and you will be forgotten. Your winning moment is dated to die.
People will love something very much or hate something very much. But the great thing about a sketch show is that if something comes along that you don't like, something else will come along in a minute that hopefully you might like that.
The world is a very troubled, very chaotic place. It's a very cold place. It's a very unjust and unfair place in many ways. [As a moviemaker] I have very limited ability to have an impact over all that.
I had never done a 90-minute play with no intermission, so it is a bit like you get onto the train and you don't get off until it's over - and it's over very quickly, so don't miss a moment of it. That experience is very rare and specific so don't miss a minute, because there aren't very many minutes of it.
I get very picky. There's sort of a line you have to walk between working and doing something you actually want to be a part of, as opposed to just working for the work. That often puts you in a place where you have to choose whether or not you want to wait for good material to come along.
I like to think of my best moment on the job as quiet victories. Victories over what? Over the "system", over the various bureaucracies not watching me, over my colleagues' indifference, over my patron's ignorance, over the very concept of horn-blowing pride.
I have been waiting for someone to come along and tap into that very real frustration that exists in a very large segment of the working-class Republican base. And no one had done it until Donald Trump. I very clearly saw a void, and I knew somebody would fill it. And the moment I knew he had filled it, I knew he would win the nomination.
I always start a movie by being very firm and very hard and very, very serious, and then I can relax a little more once I've gained respect. That's part of the job - you have to earn the respect of your crew.
People are often very frightened of their anger. They feel it will cause them to do something harmful. If you have this fear, create a safe situation where you can express your anger, alone or with a trusted therapist or friend. Allow yourself to talk angrily, shout, hit pillows, whatever you feel like. Once you've done this in a safe environment, you will have released some of the charge, and you can look underneath the anger to find what you need to do to take better care of yourself. Like any emotion, anger is a valuable tool, teaching us who we are and how we feel.
Very often in mathematics the crucial problem is to recognize and discover what are the relevant concepts; once this is accomplished the job may be more than half done.
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