A Quote by Martin Campbell

With 'GoldenEye,' the franchise got locked into this legal fight. They couldn't make new Bond movies for about seven years. It was my first huge production. I figured if I did at least a yeoman-like job, it would be greeted as a complete revival of the series.
Honestly, not being evasive, but the great thing about Bond is that I have fifty years of movies - 23 movies and all the Ian Fleming novels and short stories, all of which are fodder. And when I'm working on the new Bond, I'm constantly going back to Fleming and the other movies - what are the bits and pieces, what are the resonances?
I was inspired by all of it. 'The Avengers,' 'Harry Palmer,' 'The Prisoner,' 'The Man from UNCLE,' 'In Like Flint.' Of course, there's a huge shadow of Bond - Bond is the monolith of spy movies - but it's not just about Bond; there were a lot of other things that influenced me.
Before sequels became the most reliable way to make a buck, Bond set the standard for lavish serial adventures. Before Hollywood found gold in multimillion-dollar adaptations of comic-book characters - in the Superman, Batman and Spider-Man blockbusters - Bond was the movies' first big-budget franchise superhero.
From Software believes all the things we have learned in the past titles can be best reflected in the future only by starting work on a new franchise or series. That's the philosophy behind us trying to make a decision about leaving the 'Dark Souls' franchise.
I went in the Marines when I was 16. I spent four and a half years in the Marines and then came right to New York to be an actor. And then seven years later, I got my first job.
Directing takes a lot longer than acting. This was about seven years in development, and then two and a half years with pre-production, production, post and now the release. Not that I have people banging on my door to star in movies, but it takes me out of the acting game for a longer chunk of time.
There's no question about it. Beaumarie St. Claire and I, we created Irish DreamTime after GoldenEye hit. We made movies like Thomas Crown and The Matador. And in between my stints as James Bond, I'd go off and I'd do something like The Matador or Tailor of Panama, which was spy related, just so I could shake it up. It's a genre which really appeals to me.
After I won my first amateur fight, I figured I would do fighting on the side while I was going to school. I got an offer after that amateur fight to take a professional fight. The opponent kind of wanted to have an easy win for her pro debt, and they said they'd pay me $1,500. I was like, 'Yeah, might as well get paid for what I was doing.'
I'm 58 years old. I got married for the first time - it's about time, right? Growing up as a gay woman, you just don't ever think about that, and then I thought, about 10 years ago, 'You know, I think within 10 years gay marriage will be legal.' And here we are, 10 years later, making it legal.
Well I’ve been doing it for about twenty years, I did films when I was a little kid, when I was about six or seven, I was in films and I had this really high voice, I did a series called Dinobabies, that was my first one. And then after that I did Madeline, yeah so it just kind of happened and then never went away. Then everyone said your voice is going to change and you’ll be out... No, no, still on helium.
Hopefully we'll figure out how to get 'Iron Man 2' going, and I'll be involved with that. You have got to outdo what you did before. So, if the last one took two years, we would need at least that to do what we are talking about or, at least, thinking about.
I did a string of about six or seven Elvis movies, all in a row. He made all of those movies in two years' time. All of them bad. Don't quote me.
Looking at the Batman pages is like revisiting my youth. My first seven years in New York were the first seven years of Batman itself. While my time on Batman was important and exciting and notable considering the characters that came out of it, it was really just the start of my life.
The first television show I did was a production called 'The Pacific,' which was this huge HBO series with an insane budget and 300 extras and a crew of 150. We were filming out in the middle of the wilderness in my hometown. I was so green. I didn't understand anything that was happening.
I do movies that I would like to go and see. I think that's a good barometer of how I choose films. I like going to these movies. Our job is to make sure the audience gets their $16 worth. That's my job.
I'm the first to admit that I like going to, or my memories at least of going to Clint Eastwood movies or Charles Bronson or James Bond.
This site uses cookies to ensure you get the best experience. More info...
Got it!