A Quote by Martin O'Neill

My youth coach told me he'd got these two great 15-year-olds. I told him I don't want to know, because by the time they're 18 I'll be dead. — © Martin O'Neill
My youth coach told me he'd got these two great 15-year-olds. I told him I don't want to know, because by the time they're 18 I'll be dead.
It is impossible to maintain civilization with 12-year-olds having babies, with 15-year-olds killing each other, with 17-year-olds dying of AIDS and with 18-year-olds getting diplomas they can't even read.
There should be a certification process to suggest if a particular film is suitable for 12-year-olds, 15-year-olds or 18-year-olds. The same thing I think applies for the Internet.
All my career I have done that, worked with talents, improving 19-year-olds, 20-year-olds, 17-year-olds, 18-year-olds.
I was one of the first 18-year-olds in the United States elected to public office right after 18-year-olds got the right to vote back in the early '70s. I ran for the Board of Education.
We typically make movies that are geared towards 18-year-olds. The people who pay and go to movies more than two or three times are usually under 22, so I get how it works. I don't really want 18-year-old boys to find me that attractive, that kind of would creep me out at this stage.
Once coach I felt really connected with was Lions coach Jim Schwartz. I told him I didn't want to leave the meeting because I liked talking to him. He was very genuine.
She had time to make room for him in her closet. The cat had time to get used to him. They had all the time they needed, because he'd told her he was hers, and he was a man of his word. "I've got all I need," she told him. He leaned down and kissed her again, then stroked a finger over her temple, tucking a loose strand of hair behind her ear. "I want you to know," he said. "That you're the best choice I ever made." "No regrets?" "No regrets.
Fashion has this youth mania. But 70-year-old ladies don't have 18-year-old bodies, and 18-year-olds don't have a 70-year-old's dollars.
The worst was relizing that I’d lost him for nothing because he’d been rght about all of it-- vampires, my parents, everything. He’d told me my parents lied. I yelled at him for it. He forgave me. He told me vampires were killers. I told him they weren’t, even after one stalked Raquel. He told me Charity was dangerous. I didn’t listen, and she killed Courtney. He told me vampires were treacherous, and did I get the message? Not until my illusions had been destroyed by my parents’ confession.
Everyone wants something that'll appeal to, like, 13-year-olds to 18-year-olds. Especially working in television and trying to pitch shows, they're like, 'We definitely want something that a 14-year-old will be, like, super-psyched about.' And I'm like, 'I don't know if my reality is appealing to a 14-year-old.'
Know that, as in life, there is much that many have looked upon but few have seen because, as my father told me and his father told him, you will come to learn a great deal if you study the insignificant in depth.
With 'Stardust', I hope what I was doing is giving 30-year-olds and 40-year-olds and 25-year-olds and 60-year-olds a chance to get the same sense of wonder, the same feeling, the same magic, that they got in reading the classic fairy tales as children.
Michael Jordan told me the way he kept the crown was by always outworking everyone else because he knew everyone was always coming after him. You can sneak up on people when you are 18, 19, 20. It's tougher when you're established. Before, I'd see 13, 14, 15 pitches that I could drive in a game. Now, I see one, two or three, so I have to be better.
When I was 18, I was playing to 18 to 21-year-olds, and then, when I was 25, still playing to 18 to 25-year-olds. As I've gone on, the crowd has gone in both directions, both younger and a little older now than it's ever been. It is an interesting thing to hit 30.
I was a 'Laurel and Hardy' nut. I got to know Laurel at the end of his life, and it was a great thrill for me. He left me his bow tie and derby and told me that if they ever made a movie about him, he'd want me to play him.
Nobody told me there was any idea for a sequel to 'The Exorcist.' But my agent called me to tell me they were going to do it, and there was a part for me. I said, 'But I died in the first film.' 'Well,' he told me, 'this is from the early days of Father Merrin's life.' I told him I just didn't want to do it again.
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