A Quote by Martin Scorsese

[David Lean's] images stay with me forever. But what makes them memorable isn't necessarily their beauty. That's just good photography. It's the emotion behind those images that's meant the most to me over the years. It's the way David Lean can put feeling on film. The way he shows a whole landscape of the spirit. For me, that's the real geography of David Lean country. And that's why, in a David Lean movie, there's no such thing as an empty landscape.
I like how you can go back and watch David Lean and John Ford and see the influence that had on Steven Spielberg, especially David Lean, in the camerawork, and yet, you don't watch any Spielberg movie and think of David Lean. Once you're looking for it, you see it all, but it's not in your face.
See, I am an ardent fan of David Lean. I cannot do a shot like David Leans' in a Malayalam film because the budget does not permit me. Those dreams, I mean the glossy dreams of mine, can be fulfilled only in Hindi films.
I loved David Lean, he had a huge influence on me when I was going to film school.
"Do not lean on your own understanding." That means don't bring in the crutches and lean on them, those crutches that you have designed and made to handle such situations. Stay away from them. Don't lean on them; lean on God.
When I came to Hollywood, I would take the opportunity to get to know George Stevens or Willy Wyler or Billy Wilder or Freddie Zinnemann. David Lean I got to know, of course, in London. And David Selznick and Darryl Zanuck, not to mention Jack Warner, and Sam Goldwyn was actually very, very nice to me.
one way to keep people close to you is by not giving them enough. ... with people who give a lot of themselves, you sometimes lean back - but with people who give little you often lean forward, as if they're a spigot in the desert and you're the empty cup. It is the tropism of deprivation: We lean toward those who do not give.
I can't imagine David Lean justifying why he went to the desert to shoot 'Lawrence of Arabia.'
When I was coming onto 'Thrones,' I was looking for, 'What's the formula here?' There was a very David Lean kind of approach to it. It was traditional, in a way, and it was naturalistic in some respects, even though it was fantasy.
We were doing it under the most extraordinary circumstances, but the first out of the tent in the morning would be David Lean. He said to me on the very first day of shooting, Pete, this is the beginning of a great adventure.
I don't like movies that are shot on green screen much, you know. I mean, I know that's the thing to do, and I know that it's getting. I'll put it this way; David Lean would probably kill himself, you know, again if he knew that people were watching Lawrence of Arabia on a telephone.
Hobson's Choice' may have been in black and white, but it was a David Lean production filmed at Shepperton with Charles Laughton in the lead. So it was a big film - and it felt like it.
I think you shouldn't get my music confused with who I am or who we are, because Yung Lean, from the beginning, is like a character created by me. Yung Lean was everything that Jonatan wasn't. And so me, as a person, and my views on things are certainly different than Yung Lean's views, so you should definitely not get those two mixed up.
I might have painted myself into a bit of a corner doing all these big, serious David Lean-esque movies.
To all the people that he hurt, I'm not - I can't be an apologist for David Koresh, but I feel for people that have had negative experiences at the hands of David. Let me put it that way. I think about those people, whether I agree with them on every point or not. Everyone has a right to their experience.
I felt him there with me. The real David. My David. David, you are still here. Alive. Alive in me.Alive in the galaxy.Alive in the stars.Alive in the sky.Alive in the sea.Alive in the palm trees.Alive in feathers.Alive in birds.Alive in the mountains.Alive in the coyotes.Alive in books.Alive in sound.Alive in mom.Alive in dad.Alive in Bobby.Alive in me.Alive in soil.Alive in branches.Alive in fossils.Alive in tongues.Alive in eyes.Alive in cries.Alive in bodies.Alive in past, present and future. Alive forever.
Akira Kurosawa, David Lean and Alfred Hitchcock were the main inspirations for 'Samurai Jack,' along with a lot of '70s cinema.
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