A Quote by Martin Scorsese
The first element that I connected with was the emotion. Sorry, that's how it goes.
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Writing from a personal experience can bring about this emotion and power of emotion that can be instantly connected to the instrument, my voice.
An emotion is only an emotion. It's just a small part of your whole being. You are much more than your emotion. An emotion comes, stays for a while, and goes away, just like a storm. If you're aware of that, you won't be afraid of your emotions.
In 'Reclaiming Virtue,' I argue that we have had an element missing in moral education. That element is 'affect.' Affect is simply the technical word for feeling or emotion.
You may be sorry that you spoke, sorry you stayed or went, sorry you won or lost, sorry so much was spent. But as you go through life, you'll find - you're never sorry you were kind.
Feeling of an emotion is a process that is distinct from having the emotion in the first place. So it helps to understand what is an emotion, what is a feeling, we need to understand what is an emotion.
No one leaves the edit room thinking, 'Yeah, I nailed that one!' Everyone I know goes into their first premiere or their first screening thinking, 'I screwed up so bad. I'm sorry, I messed up.' It's just a real common feeling.
If you clean it up, get analytical, all the subtle joy and emotion you felt in the first place goes flying out the window.
Whenever we're all getting ready for a playoff game, you know how serious those games are, and you try to motivate your guys. There's a lot of emotion that goes into those games, and when I play, it's all about winning, and it's all about doing whatever it takes to fire guys up and to get that emotion running.
Just let yourself be broken and humiliated. Just your whole life, keep telling people, I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry.
Hello, darling. Sorry about that. Sorry about the bony elbows, sorry we lived here, sorry about the scene at the bottom of the stairwell and how I ruined everything by saying it out loud. Especially that, but I should have known. You see, I take the parts that I remember and stitch them back together to make a creature that will do what I say or love me back.
How do we address network neutrality when the whole world is connected? How do we ensure governments don't purloin this for political purposes? It's already happening. Look at Russia on the American election. How do we protect data security when everyone's connected? Look what happened with the ransomware. How do we deal with cybercrime and cyberterrorism and the disruptions of the system? And we're seeing this every week now.
There is a documentary element in my films, a very strong documentary element, but by documentary element, I mean an element that's out of control, that's not controlled by me. And that element is the words, the language that people use, what they say in an interview. They're not written, not rehearsed. It's spontaneous, extemporaneous material. People
How can you be alienated without first having been connected?
Most creativity is a transition from one context into another where things are more surprising. There’s an element of surprise, and especially in science, there is often laughter that goes along with the "Aha." Art also has this element. Our job is to remind us that there are more contexts than the one that we’re in - the one that we think is reality.
First, the newcomers are eager to come in front of the camera, and later they are like, 'No, sorry, sorry, no pictures'. What is this? I say fame is a very dangerous and bitter thing.
I was at a restaurant in Glasgow, and I was walking down the stairs. A woman passed me and said, 'Oh my God, what are you doing here?' I didn't know who she was, and I was like, 'Sorry?' She goes, 'Oh no, sorry, I follow you on Twitter. I just didn't expect to see you here.'
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