A Quote by Martin Scorsese

[Kubrick] was unique in the sense that with each new film he redefined the medium and its possibilities. But he was more than just a technical innovator. Like all visionaries, he spoke the truth. And no matter how comfortable we think we are with the truth, it always comes as a profound shock when we're forced to meet it face-to-face.
It's always better to face the truth, no matter how uncomfortable, than to continue coddling a lie.
There's a truth deeper than experience. It's beyond what we see, or even what we feel. It's an order of truth that separates the profound from the merely clever, and the reality from the perception. We're helpless, usually, in the face of it; and the cost of knowing it, like the cost of knowing love, is sometimes greater than any heart would willingly pay. It doesn't always help us to love the world, but it does prevent us from hating the world. And the only way to know that truth is to share it, from heart to heart, just as Prabhakar told it to me, just as I'm telling it to you now.
I think that's always the hope - I mean, I can't speak for others, but I think other artists, no matter what type of medium they are using - whether it be from painting to acting to dancing, songwriting, or anything like that - I believe the desire is to get to the truth, and I think it's really hard to tell the truth.
I always have a rule that acting is acting and truth is truth and you just go out there and you do it. But what happens in each medium is that you have other responsibilities. The acting remains the same, but each medium dictates assuming other halves to make the acting work.
The truth of anything doesn't matter anymore. What's right doesn't matter. What makes economic common sense doesn't matter. I'm blue in the face over it.
I feel more comfortable being honest because I don't have to "remember" my answers. You never forget the truth! I just have to learn how much truth to give, that's my boundary. That's my new thing.
The resurrection asserts a truth which is by no means always written legibly for all men on the face of nature. It tells us that the spiritual is higher than the material; that in this universe spirit counts for more than matter.
It always amazes me that just when I think there's nothing left to do in photography and that all permutations and possibilities have been exhausted, someone comes along and puts the medium to new use, and makes it his or her own, yanks it out of this kind of amateur status, and makes it as profound and as moving and as formally interesting as any other medium.
In our program, the truth is the basis of all we do. There is nothing more important than the truth because there's nothing more powerful than the truth. Consequently, on our team, we always tell each other the truth. We must be honest with one another. There is no other way.
Science enhances the moral value of life, because it furthers a love of truth and reverence-love of truth displaying itself in the constant endeavor to arrive at a more exact knowledge of the world of mind and matter around us, and reverence, because every advance in knowledge brings us face to face with the mystery of our own being.
Getting back in the directors chair - there's a sense of like doing something every year. It's not like riding a bike, you're always learning new things, you're gonna face new challenges and when you face new challenges you'll have an answer for them.
How shall Integrity face Oppression? What shall Honesty do in the face of Deception, Decency in the face of Insult, Self-Defense before Blows? How shall Desert and Accomplishment meet Despising, Detraction, and Lies? What shall Virtue do to meet Brute Force? There are so many answers and so contradictory; and such differences for those on the one hand who meet questions similar to this once a year or once a decade, and those who face them hourly and daily.
Americans need to face the truth about themselves, no matter how pleasant it is.
The truth is that no matter how many retakes you do, each will be different and that is the nature of any creative medium. There's no such thing as perfection.
Art has a double face, of expression and illusion, just like science has a double face: the reality of error and the phantom of truth.
I think every age has a medium that talks to it more eloquently than the others. In the 19th century it was symphonic music and the novel. For various technical and artistic reasons, film became that eloquent medium for the 20th century.
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