A Quote by Martin Scorsese
Sam Fuller and 'Shock Corridor' can only be conjured as a mantra. 'Shock Corridor' is a classic work of art - it's unique. It comes from the unique experience of being Sam Fuller and yes, there's always that element of 'Shock Corridor' hovering around the picture, but never specifically. In fact, I didn't even screen it because it's in us. It's in me anyway. It's in me. It was a way of conjuring up support just by saying the name, 'Shock Corridor,' as I was going to shoot. Poor Sam [Fuller]...
Related Quotes
I've always adored the filmmaker Sam Fuller. The first time I watched 'Shock Corridor' was such a magnificent discovery. I love his lack of subtlety, the way he tackles serious topics with bold and inappropriate humor.
First of all, Sam Fuller left a group of extraordinary movies that are unique, that are "Fuller-esque," as one might say, which makes them stand apart from any other director's films.
It was also a new role for me as a writer, because I wanted to just be there to serve Sam. I recognized that this picture would be "a Sam Fuller movie," and I was just trying, in whatever way I could, to help him get what he wanted.
It was a unique experience in several ways, because I don't think Sam [Fuller] had ever collaborated with another writer over his whole career.
The corridor is hardly ever found in small houses, apart from the verandah, which also serves as a corridor.
Secrets and mysteries provide a beautiful corridor where you can float out. The corridor expands and many, many wonderful things can happen... I love the process of going into mystery.
Andrew Scheer talks about an energy corridor. So do I, but his corridor is for pipelines and mine is an electricity grid that's running 100 per cent on renewable energy.
Anything that you can shock somebody with. The only way to change something is to shock it. If you want your muscles to grow, you have to shock them. If you want society to change, you have to shock them.
This corridor is important to national security and important to the whole Northeast. So it's not just our own New Jersey transportation needs: it's the whole rail corridor here we're talking about.
In order to produce learned fear, you take a neutral stimulus like a tone, and you pair it with an electrical shock. Tone, shock. Tone, shock. So the animal learns that the tone is bad news. But you can also do the opposite - shock it at other times, but never when the tone comes on.
I use the [vulgar] words because apparently these words do not corrupt morally. I'm from the street in New York, hung around in a tough neighborhood. It was common to curse, you make your point. It's a very effective language. I try not to overdo it. It's never to shock. I know where it fits, it's never to shock. There's no shock value left in words.
Initially, it connected with me when I was a kid, seeing a lot of movies while growing up in Los Angeles. And Sam's [Fuller] pictures are an expression of such a distinct voice that he was one of those filmmakers who made me aware that there was, in fact, a real presence behind the camera that was telling the story, as opposed to actors just presenting it.
Shock is shock. Your body goes into shock, regardless of it being real blood or fake blood. The mind sends powerful messages to all the various glands and secretions in the body. It's impossible trying to act it; it just happens. It's a very important question: no acting.
Growing up in Bombay made me immune to culture shock, in a way. So, culture shock is not part of my DNA.
I did some films in college, and I remember working with this director that wanted to shock me so that I'd give him an expression of shock, so he poured scalding hot water on my arm during the take. He splashed it on me. He got his expression of shock, but I also got, like, second-degree burns!
It's always a pleasure to imagine an idea and work alongside a brand like G-Shock to make it a reality. G-Shock continues to push the bar with design and technology and that inspires me to do the same with my riding and visuals.
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