A Quote by Martin Scorsese
Basically, you make another movie, and another, and hopefully you feel good about every picture you make. And you say, 'My name is on that. I did that. It's OK.' But don't get me wrong, I still get excited by it all. That, I hope, will never disappear.
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Many people say, "When I get a million dollars, then I'll be happy because I'll have security," but that's not necessarily so. Most people who acquire a million dollars want another and then another. Or they could be like a good friend of mine who made and lost every dime of a million dollars. It didn't bother him a bit. He wasn't excited about it, but he explained to me, "Zig, I still know everything necessary to make another million dollars, and I've learned what to do not to lost it. I'll simply go back to work and earn it again.
I've never been able to develop a movie over several years, and keep coming back to it and adding to it. I get excited by the spark of an idea, and if I can't go make that, there's another idea that comes along that I get excited about. It has to happen quickly, in order for it to happen, at all.
Every time you try to make another movie, you never know what will come of it. I can't say it ever gets easier, but it is in it's own way gratifying. I think that because no one movie that you make ever quite satisfies you, you're always feeling, "Next time I can get it right."
I never thought for one minute that I couldn't win another tournament or I couldn't make another Ryder Cup team. That's not in my make-up. If I feel good in myself and feel good in everything I'm doing, on and off the course, then I'm of the mind-set that I can get it done.
Maybe I'm not good for you. Maybe what I feel is wrong. Because I did love Ashton. She was all I needed... but never did I feel the uncontrollable desire to get her underneath me. Never did I make up reasons to get her to wrap her legs around me so I could feel her pressed up against me. Never. He swallowed hard. "Never did I think about being inside her
We hope that audiences around the world embrace the picture in the same way they have the books and that hopefully Disney will allow us make another one.
I never take anything for granted. I think it's very cool to still get excited about things. I get as excited now as I ever did when I get a chauffeur driven car pick me up and I stay in a fantastic hotel or get to fly in a private plane. I never want to get blasé.
I wanted to make pictures that contradicted themselves. I wanted to put one picture on top of another so that there were times when both pictures disappear and other times when they were both manifest. That vibration is basically what the work was about for me - that space in the middle where there is no picture, rather an emptiness, an oblivion.
I think I did enough to make it. I think I made it as hard as possible for them to cut me by showing them what I can do. I think it's going to come down to numbers. I'm just going to wait, pray and hope it's God's will that I'm going to be on the Eagles. My first goal was to make this squad but if not, hopefully another team saw what I did and will want me.
I have a romantic comedy I'd love to make, but I can't get the money for it. It's hard to get people to give you money for an arty romantic comedy when you've done a horror movie. So I can just sit there and keep complaining about that, or I can go make another horror movie this year. People will get behind me on that, because I'm relatively bankable. As long as I can do my own thing with it, I'll keep doing it.
For me, it was a lot of pressure to make another movie after 'Inglourious Basterds' because I didn't want to do something wrong. I wanted to have a beautiful project for another American movie.
A lot of my friends are struggling. A lot of my friends didn't make movies, which was really hard and sad. I'm good friends with this film collective, Red Bucket, which made Daddy Longlegs and The Pleasure Of Being Robbed. They're climbing the walls. They're all making cartoon booklets now, because they can't raise the funds to make another movie. But I think that when it returns, which it hopefully will, there will be another surge of energy.
Schools and parents can team up to find books that kids will really get excited about - that will make them say, 'That was a great experience. Now I know why people get excited about reading.'
A good movie can take you out of your dull funk and the hopelessness that so often goes with slipping into a theatre; a good movie can make you feel alive again, in contact, not just lost in another city. Good movies make you care, make you believe in possibilities again.
I, you know, am all over the place — every category of pictures I have made, good, bad or indifferent. I could not make, like Hitchcock did, one Hitchcock picture after another. … I wanted to do a Hitchcock picture, so I did `Witness for the Prosecution,’ then I was bored with it, so I moved on.
Everybody has seen that I make mistakes. Every single album I have ever made is about love. But I am not going to give up. I have to look at what I do wrong. I rush in, I get swept up, I ignore the signs. But so many of us are guilty of these things. Each time it goes wrong, it's hard. I get really hurt but I have to let myself go: 'What did I do? What can I learn?' And as hard and as hurtful as things get, I want to believe I will be able to go one step higher. I've got to hope that if I keep going I will eventually get it right.
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