A Quote by Martin Scorsese

Orson Welles was a force of nature, who just came in and wiped the slate clean. And Citizen Kane is the greatest risk-taking of all time in film. I don’t think anything had even seen anything quite like it. The photography was also unlike anything we’d seen. The odd coldness of the filmmaker towards the character reflects his own egomania and power, and yet a powerful empathy for all of them--it’s very interesting. It still holds up, and it’s still shocking. It takes storytelling and throws it up in the air.
Orson Welles lists Citizen Kane as his best film, Alfred Hitchcock opts for Shadow of a Doubt, and Sir Carol Reed chose The Third Man - and I'm in all of them.
I mean, everyone says Citizen Kane. It isn't that great, anyway. And Orson Welles I knew well, of course. He made other incredible films that no one would let him make, which were much better than Citizen Kane, really.
I discovered Orson Welles in college; my freshman English professor screened 'Citizen Kane' for us, and I wound up writing a 20-page term paper on it.
You have to remain strong. That's the kind of filmmaker I want to encourage. Orson Welles was the one who said, you know, you can learn anything you need to know about filmmaking- that's camera, sound, celluloid, video at this point- in four hours. It has nothing to do with anything. It has nothing to do with it... It has to do with what you want to say. If you feel you have something to say, you'll find that way to get it said, on film, and not let anyone or anything chip away at that or tarnish it, because it's something special and precious.
I just started trying to figure out how to write [something] which was unlike anything anybody had ever seen, and once I felt like I had figured that out I tried to figure out what kind of book I could write that would be unlike anything anybody had ever seen. When I started writing A Million Little Pieces I felt like it was the right story with the style I had been looking for, and I just kept going.
I love beautiful black-and-white movies - anything Bette Davis, especially Now, Voyager, Casablanca, Mildred Pierce; anything by Orson Welles, Truffaut, or Godard; and Paper Moon by Peter Bogdanovich.
I love beautiful black-and-white movies - anything Bette Davis, especially 'Now', 'Voyager', 'Casablanca', 'Mildred Pierce'; anything by Orson Welles, Truffaut, or Godard; and 'Paper Moon' by Peter Bogdanovich.
There's not a formula that I'm following; it's just how I feel at the time. For instance, I did a very experimental film called 'Hardcore Henry,' and that was simply because I thought the filmmaker was very interesting and a risk taker. A film like that had never been made before, so I chose to do that at the time.
I haven't seen 'The Exorcist,' but I've seen a lot of pictures of the girl in it. So now I don't actually want to see it. She scares me so much. I don't know what it is, but even though it's quite old now, it still has the best and scariest make-up I've ever seen in my life.
Usually we have pick-up shots to film after all the main work is done; sometimes we even do them after our wrap party. Just like when you're packing up and moving, it's the little things that end up taking the most time, and there is no romance in the clean up.
I had seen movies before that that had made me laugh, but I had never seen anything even remotely close to as funny as Richard Pryor was, just standing there talking.
You are not condemned for anything, but you are also not excused from anything. See these two ideas together at the same time, and a powerful third force for self-awakening is created.
I grew up in the Fifties and early Sixties, which were still quite conservative, and I wasn't given any information about sex or anything like that... I went out with girls at school because one had to. I didn't experiment with sex for quite a long time.
If it was Europe, I just picked a country that I hadn't been to, but I didn't try to check up on what was going on in the country or anything like that. I just went and had a good time and met a lot of very nice people who are still my friends.
A lot of people ask...why a man is willing to risk... Well, we've got to do it. We're going into an age of exploration that will be bigger than anything the world has ever seen... If a man faces up to the (unknown) and takes the dare of the future, he can have some control over his destiny.
I've never seen crack or a lot of these new drugs. Don't know anything about them. I don't know what they do for you, or whether they do anything good for you or not. But I do still have a lot of faith in the spiritual purity of LSD and pot.
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