A Quote by Martin Scorsese
When I was growing up in the mid-'50s, the Roaring Twenties were a huge part of the culture. There were a number of films and a bunch of television shows that dealt with the mythology of the underworld from that period.
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The Roaring Twenties were the period of that Great American Prosperity which was built on shaky foundations.
I looked back on the roaring Twenties - with its jazz, 'Great Gatsby,' and the pre-Code films - as a party I had somehow managed to miss. After World War Two, I expected something similar, a return to the period after the first war, but when the skirt lengths went down instead of up, I knew we were in big trouble.
I grew up in the '50s, in New York City, where television was born. There were 90 live shows every week, and they used a lot of kids. There were schools just for these kids. There was a whole world that doesn't exist anymore.
Growing up, the major institutions were school and church. We were taught our culture was no good. We didn't have sundances. The last ones were in the 1940s and '50s. They're starting to come back now. Each reserve is starting to have a Big Lodge and a sundance ceremony. That's what's going to rebuild our people.
In the year 2000, the very youngest members of the Baby Boomer crew were in their mid-30s while the oldest Boomers were mid-50s. That year, the Boomers were a generation divided somewhat equally between the GOP and Democrats.
Belushi was one of my very first heroes. At a time when film, television, and music were undergoing tectonic shifts within American culture, he was at the center of it all. At that moment, he had the number one show on television, the number one film at the box office, and the number one record on the charts.
When I grew up in the '60s, we were actually dominated by this, you know, sort of conforming '50s culture, even though we were like trying to express our own culture, like, the dominant culture was the thing that was forming us. And I think that that's true today.
There was a period where I did do a lot of television, but the luck of the draw worked in my favour, as they were all shows that were either fan-favourites or cultist things.
Steven Spielberg films were huge touchstones for us growing up.
You know, the period of World War I and the Roaring Twenties were really just about the same as today. You worked, and you made a living if you could, and you tired to make the best of things. For an actor or a dancer, it was no different then than today. It was a struggle.
The family you were raised in, the time period you were born in, and the part of the country you're in absolutely shape your view on sex, which shapes a huge part of anybody's personality.
I think Hollywood has gone in a disastrous path. It's terrible. The years of cinema that were great were the '30s, '40s, not so much the '50s...but then the foreign films took over and it was a great age of cinema as American directors were influenced by them and that fueled the '50s and '60s and '70s.
I have done a lot of work in Hollywood myself. I worked in television for roughly 10 years, from the mid-'80s to mid-'90s. And I was on staff at a couple of shows. I did some feature films, including originals and adaptations.
Once in a while a good opportunity would come along, like the first 'Playhouse 90 ever to air - working in television afforded me my best opportunities. The (film) industry was going through such turmoil at the time - studios didn't know where to go anymore, they were falling apart, television was there. They didn't know what kind of films people wanted. The European films were making a huge impact because those films wanted real people in real situations.
Another factor is the education and culture in which you grow up. I didn't grow up in the culture of victory, where you are expected to be or have to be, the best. It was not at all like that in my family. Tennis was really a hobby. If it led to something, great. If not, there were other things in life. I think that was something I was missing at some points in my career, because when I see Hingis or the Williamses, you see how they were educated for this: to win, to be the best, a bit the American mentality. Number one. Number one. Number one. I didn't have this.
Australian genre films were a lot of fun because they were legitimate genre movies. They were real genre films, and they dealt, in a way like the Italians did, with the excess of genre, and that has been an influence on me.
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