A Quote by Martin Scorsese

I'm trying not to let the anger and the violence that erupt take over my life. I guess it comes with the growing process, I don't know. A little mellowing. — © Martin Scorsese
I'm trying not to let the anger and the violence that erupt take over my life. I guess it comes with the growing process, I don't know. A little mellowing.
I didn't feel that so much as an outsider when I started writing; I've felt that way all my life. I don't know, man; I guess I was just wired wrong. When I was growing up, I always wanted to be somebody else and live somewhere else. I've always felt a little uncomfortable around people. And I'm not trying to romanticize this, because it wasn't romantic. I wasn't trying to be a rebel; I just always felt a little out of it. I think that's why it's pretty easy for me to identify with people living on the margins.
My approach to violence is that if it's pertinent, if that's the kind of movie you're making, then it has a purposeI think there's a natural system in your own head about how much violence the scene warrants. It's not an intellectual process, it's an instinctive process. I like to think it's not violence for the sake of violence and in this particular film, it's actually violence for the annihilation of violence.
The creative process is just a process and you can't really separate it from life. Growing your hair is a creative process. Your body is creating hair. Being alive is a creative process. Whether it's growing something in the garden or growing a song, the material accumulates. It's the process of being alive; it's the passage of time. Things change.
I've been trying to learn how to not be so conflicted about things like my own anger. I've always had a place in my music for my anger as a way of compensating for not having a mechanism to express it in my everyday life. So I've been trying to be more true to myself, and that helps me to chill out a little bit. But politically, uh-uh. No.
What's very interesting about the violence in Lebanon and the violence in Iraq and the violence in Gaza is this: These are all groups of terrorists who are trying to stop the advance of democracy. They're trying to thwart the will of millions who simply want a normal, hopeful life. That's what we're seeing.
I guess in my house when I was growing up, I was comfortable trying to be funny. And my dad, of course, it bugged him sometimes. He was trying to rest, and I was constantly trying to say something stupid to get a reaction. But I like doing these movies. You can do it in front of the camera and then it's over. I don't have to worry about being in front of too many people.
Anger and violence in Gaza and among Gazans is completely predictable. In a situation like ours, the absence of violence and anger would be abnormal. All of of us feel angry at least occasionally.
I don't really know what makes someone want to be a cartoonist, but part of it is trying to get in trouble. You're looking where the line is and seeing how much you can step over it, and I mean, I do that in my personal life, too. I try to anger and piss people off a little bit to try to see what I can get away with. I got in trouble with more than one cartoon.
Pain is part of how I get inspiration and part of how I gain wisdom on life. I guess the point I'm trying to make is that I don't transform it, I just let it be. I kind of let it move through me, let it consume me and I let it take me over and hurt me, and I let it go away when it's ready to go away and I understand that it's just part of the process.
I guess I'm curious about how people process grief and how they process loss. And I'm also interested in the ways in which an event can have long-reaching consequences and a life over the course of years.
The anger of the weak never goes away, Professor, it just gets a little moldy. It molds like a beautiful blue cheese in the dark, growing stronger, and more interesting. The poor and the weak die with all their anger intact and probably those angers go on growing in the dark of the grave like the hair and the nails.
A flapper is just a little girl trying to grow up - in the process of growing up.
Anger is meant to be acted on. It is not meant to be acted out. Anger points the direction. We are meant to use anger as fuel to take the actions we need to move where our anger points us. With a little thought, we can usually translate the message that our anger is sending us.
I take a less gloomy view. A good life means fighting to be human under growing difficulties. A lot of young folk know this and fight very hard, but after a few years life gets easier for them and they think they've become completely human when they've only stopped trying. I stopped trying, but my life was so full of strenuous routines that I wouldn't have noticed had it been not for my disease. My whole professional life was a diseased and grandiose attack on my humanity. It is an achievement to know that I am simply a wounded and dying man. Who can be more regal than a dying man?
I've put my life back together, but it's all a growing process and that's neat, too, because if you stop growing, what good is it musically? So that is what I am looking forward to - growing. In some ways, I felt stagnant in my life and it showed.
Anger makes people feel uncomfortable, because the minute somebody shows it, it puts you in a position where you can't laugh or make light of something... not to trivialise it I don't mean. But your reaction to anger is supposed to be fear or returned anger. So, you're really trying to control a situation when you show anger and it's a very weak position to take. It often works on people who aren't in a position to fight back.
This site uses cookies to ensure you get the best experience. More info...
Got it!