A Quote by Martin Scorsese
I don't think there's a subject matter that can't absorb 3-D; that can't tolerate the addition of depth as a storytelling technique.
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I think my love is storytelling. No matter what it is, it's storytelling. And so whatever the medium is, what's right for the story, I enjoy doing it.
I think storytelling is storytelling. It doesn't matter what format it's shot on.
No amount of virtuosic skill and choice of subject matter can be a substitute for depth and poetry.
The subject matter that I am really spending my time on has become an acceptable subject matter. Living, lifestyle, family, is now in the forefront of interest in America, and I've just stuck with it. I mean, I've been doing this for years, and I never got angry. I never said, you know, listen, I'm fighting for this subject. That wasn't my point. My point was to continue working in a subject matter, knowing full well that finally it would be recognized as a viable subject once again.
The purpose of subject matter is to veil technique. The great artist uses the cloak of resemblance to hide the means.
Many of our buildings have large format murals that are of varying subject matter, and we've found that those are the sort of things that make people stop, digest, and absorb.
Don't look for "depth" but instead search for subject aspects which prove the presence of depth.
I kind of blew the doors off the myth that all heavy metalheads are Neanderthal and very limited in their ability to take on subject matter of any human depth.
Visual storytelling combines the narrative text of a story with creative elements to augment and enhance the traditional storytelling process. By design, it is a co-creative process resulting in an intimate, interpretive, expressive technique.
I think one of the major things a director has to do is to know his subject matter, the subject matter of his script, know the truth and the reality of it. That's very important.
What I sought in books was imagination. It was depth, depth of thought and feeling; some sort of extreme of subject matter; some nearness to death; some call to courage. I myself was getting wild; I wanted wildness, originality, genius, rapture, hope. ... What I sought in books was a world whose surfaces, whose people and events and days lived, actually matched the exaltation of the interior life. There you could live.
When I was at college, the idea of fashion was more immediate to me, whereas art photography, the depth of it, was a different thing. Storytelling - fanciful storytelling - can only be told through fashion photography. It's the perfect way to play with fantasy and dreams.
An artist must first of all respond to his subject, he must be filled with emotion toward that subject and then he must make his technique so sincere, so translucent that it may be forgotten, the value of the subject shining through it.
Critic asks: 'And what, sir, is the subject matter of that painting?' - 'The subject matter, my dear good fellow, is the light.
I always love it best when you have a project where there is this commingling of the subject matter and the way in which you're recording that subject matter.
Storytelling is storytelling. Good stories need compelling characters and interesting conflicts. That's the bottom line no matter what medium you're writing for.
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