A Quote by Martine McCutcheon
I've grown up in the public eye, and every decision I've made has always been so public and often inaccurately reported.
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After getting recognized in public from my picture on our pretzel bag, I can understand not wanting to be in the public eye. It has given me a public persona I had always avoided as a child. I do it because it's for a good cause.
A society - any society - is defined as a set of mutual benefits and duties embodied most visibly in public institutions: public schools, public libraries, public transportation, public hospitals, public parks, public museums, public recreation, public universities, and so on.
I can't tell you how important it is for people on the public stage to utilize that stage in a constructive, positive way. When you're in the public eye, you have a decision to make - whether you are going to be an influence or not.
You have celebrities who are pushed to the brink of a public meltdown, and so the public thinks that every person in the public eye has dirty secrets that they're keeping, or isn't what they seem, or is masking it and faking sincerity, faking authenticity, faking being surprised at award shows when you win a Grammy.
For Sabina, living in truth, lying neither to ourselves nor to others, was possible only away from the public: the moment someone keeps an eye on what we do, we involuntarily make allowances for that eye, and nothing we do is truthful. Having a public, keeping a public in mind, means living in lies.
There seems to be a concern about whether the public appreciation of science has eroded to a point where it has removed science from public debate and public decision making. Whether the public has come to regard evidence as optional.
One of the nice things about moving from acting to writing is that your work can be in the public eye without having to be in the public eye yourself. I guess that's not completely true. If you're lucky - and I have been - there are book tours and lectures. I don't have stage fright, and I enjoy meeting people, so that's easy and enjoyable, but it's not a constant, and it's not celebrity.
My experience of being on the public platform got more multi-faceted, multi-dimensional, and my place in the public eye, I think, has always been a little more than just what is going on in that time in my life.
To me the biggest irony of this lifetime that I'm living is that for someone who thrives in the public eye in the creative ways that I do, I actually don't enjoy being in the public eye.
In every war zone that I've been in, there has been a reality and then there has been the public perception of why the war was being fought. In every crisis, the issues have been far more complex than the public has been allowed to know.
When political and business leaders tell the public - any public - 'We don't trust you to make the right decision' - they prejudice that electorate against the very proposals they want it to accept and undermine public confidence in themselves.
No one made a decision to militarize the police in America. The change has come slowly, the result of a generation of politicians and public officials fanning and exploiting public fears by declaring war on abstractions like crime, drug use, and terrorism. The resulting policies have made those war metaphors increasingly real.
Formerly, a public man needed a private secretary for a barrier between himself and the public. Nowadays he has a press secretary, to keep him properly in the public eye.
Making a decision to be a public figure isn't their choice right now. I don't think it's fair. Even though they're beautiful and I love them, they haven't made that decision yet. I've been chased through airports with a screaming baby because the photographers are ruthless, and they want the picture.
Because I don't do stand-up, radio has always been my equivalent, a place to stay in connection with the public and force myself to write every week and come up with new characters. Plus it's a medium that – having grown up with it and putting myself to sleep with a radio under my pillow [as a kid] – I love. No matter what picture you want to create in the listener's mind, a few minutes of work gets it done.
A lot of us grew up in public. That often means that you have to fail in public too.
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