A Quote by Mary Beard

Beard's secret is always to be slightly on the edge but to pull back from disaster at the last minute. — © Mary Beard
Beard's secret is always to be slightly on the edge but to pull back from disaster at the last minute.
There is always a period when a man with a beard shaves it off. This period does not last. He returns headlong to his beard.
We [people] have the power to destroy ourselves as well as the environment. As a species we love what I'd call brinks-person-ship, going right to the edge of disaster and somehow managing to pull back and recover. But my bet is still on the creative and playful and positive in the species. I think we will manage to survive and gradually turn things around.
I never, ever thought I would be able to grow a beard like I have now. I think it's gonna be here for a little minute. Fear the beard, hopefully.
Every character I've ever played, I always try to take him right to the edge and not allow him to fall over, but directors have a tendency to pull me back a little bit.
About two-thirds of the face of Marx is beard, a vast solemn wooly uneventful beard that must have made all normal exercise impossible. It is not the sort of beard that happens to a man, it is a beard cultivated, cherished, and thrust patriarchally upon the world.
There's a kind of edge to what you're doing, the kind of leading edge of what you're doing. Inside that edge [are elements you] are familiar with, and are probably becoming slightly bored with, as well, over a period of time. "I've pulled that one out before. Oh, no, I can't I'm just fed up with that. Let's do something else."And you always think "Oh my God I've never done anything at all like that before." But, of course, in retrospect, and to an outsider, they'll say, "Oh, yeah that's typical Eno.
A man with a beard was always a little suspect anyway. You couldn't say you wore a beard because you liked a beard. People didn't like you for telling the truth. You had to say you had a scar so you couldn't shave.
When you study, as I did, every theatrical beginning in this country, none of them have been greeted well. The Royal Shakespeare Company was a disaster, Peter Hall was a disaster, Richard Eyre was a disaster, Trevor Nunn was always a disaster.
Whenever Congress undertakes large-scale reform, there are times when disaster appears certain - only to be averted at the last minute by the good sense of its sometimes unfairly maligned members.
The people I am most interested in are the ones on the edge of losing everything and falling into the last bit of despair. I'm trying to write about how people exist on that edge and how they can come back.
The apartment was built at the edge of a high cliff so that when you looked out the back window it seemed as if you were twelve floors up instead of four. It was very much like living on the edge of the world - a last resting place before the final big drop.
I've just always rocked the goatee. Maybe a beard for a minute or some thick sideburns, but I've only been clean-shaven for, like, two days in my adult life.
Pilot season tends to be grueling, because you can be thrown all of these auditions at once - last-minute, always - and you're going on three a day, especially back in the day.
Mine is slightly ginger and patchy so it's not really a hipster beard.
But you have to understand, my beard is so nasty. I mean, it's the only beard in the history of Western civilization that makes Bob Dylan's beard look good.
The fact that the president (Michelle Bachelet) was out giving minute-to-minute reports a few hours after the quake in the middle of the night gives you an indication of their disaster response.
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