A Quote by Mary Beard
My mother took me to the British Museum aged five. I had thought people from the past weren't as good as we were, and then I saw the Elgin marbles. Suddenly, the world seemed more complicated.
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The Elgin Marbles were supposed to be on the Parthenon. For many works of art, a museum is an artificial setting - a zoo, not a natural habitat.
Back then I was still listening to rhythm and blues, and my aunt took me to see a Pete Seeger concert. And it gelled. He made all the sense in the world to me. I got addicted to his albums, and then Belafonte and Odetta - they were the people who seemed to fuse things that were important to me into music. I think Pete the most because he did what he did to the point where he took those enormous risks and then paid for them.
It was Lisa, aged five, whose mother asked her to thank my wife for the peas we had sent them from our garden. 'I thought the peas were awful, I wish you and Mrs. Thurber were dead, and I hate trees,' said Lisa.
There are those photographers who have made a whole career doing commercial work but have never had a museum show, and then there are others who've only had museum shows but couldn't survive for five seconds in the real world of photography. But I've done absolutely everything.
I've made movies that I thought were good. I've made movies that I thought were okay, but then I was very good. And sometimes you're in a movie and you think, I wish more people saw that - because you're good. And it just works out that the movie gets lost. But that's show business.
There are no such things as the Elgin Marbles.
It is a standing source of astonishment and amusement to visitors that the British Museum has so few British things in it: that it is a museum about the world as seen from Britain rather than a history focused on these islands.
So when the great word "Mother!" rang once more, I saw at last its meaning and its place; Not the blind passion of the brooding past, But Mother -- the World's Mother -- come at last, To love as she had never loved before -- To feed and guard and teach the human race.
There were times . . . when it occurred to me that I was repeating my mother's life. Usually this thought struck me as funny. But if I happened to be tired, or if there were extra bills to pay and no money to pay them with, it seemed awful. I'd think 'This isn't the way our lives are supposed to be going.' Then I'd think 'Half the world has the same idea.
I think I was eight the first time I saw the Benin bronzes. I was taken to see them at the British Museum by my white, British mother, who felt it important that her half-Nigerian children learned about the artistic achievements of their forefathers. I've been entranced by them ever since.
I got up and saw my face in the mirror and saw the horror. When they did the surgery on me, they took out 67 glass pieces. There were a lot of movies that I had lined up for myself during that time, and I had to let it go. I didn't want people to know because, at that time, people were not that supportive.
The success of a play, especially one's first success, is somewhat like pushing against a door which is suddenly opened that was always securely shut until then. For myself, the experience was invigorating. It suddenly seemed that the audience was a mass of blood relations, and I sensed a warmth in the world that had not been there before. It made it possible to dream of daring more and risking more.
I did not think I had what it took to be an actor, because most of the actors that I encountered were people who were very narcissistic and I thought since I lacked narcissism to become an actor because that's what it took. It was more of a social experiment for me to walk in the shoes of other people that I found interesting.
I didn't actually know what a treasure 'The Great British Bake Off' was, so I just thought, 'oh it'll be fun to do that, I'd like to do that.' Then when I went and had to have an audition and meet Paul Hollywood, I suddenly thought, 'this is really important.'
The more images I gathered from the past, I said, the more unlikely it seemed to me that the past had actually happened in this or that way, for nothing about it could be called normal: most of it was absurd, and if not absurd, then appalling.
I never thought of myself as being that good looking, I was an actor, people saw me on television, and then they start to think you're good looking because of that presentation. I was no better looking before the show, than after - and before the TV show I couldn't get a date to save my life. So what changed? Did I suddenly become more good looking? No. I got lucky, I got a TV show. That's what happened.
