A Quote by Mary Beard

If talking about arts means being pretentious, a bit like being a wine critic, then I don't feel comfy with that. You can get a lot from paintings without getting mystical about brush strokes.
They were wrestling with canvases, using violent colors and huge brush strokes. I arrived with gray, silent, sober, oppressed paintings. One critic said they were paintings that thought.
For some reason, when I think feminism, I think, like, 'Well, you can't include men if you're talking about feminism and being a feminist,' so I get a little bit muddled. I find it to be a bit grey. Then if you say you are not a feminist, that means that you're not pro-woman!
We shouldn't confuse the pleasure of being articulate about wine, of being able to describe the distinctive features of a wine, with the non-verbal ability of remembering what they are like, or of appreciating them without being able to say why
Mixed martial arts - there's just been a lot of trash talking and things like that. People, I feel like, aren't really being true to themselves or being honest. I don't know, maybe that's what they feel they need to do to entertain things.
I just write about how I'm feeling at the time. If I feel like being cheeky and a bit straight up and a bit aggressive, you'll hear that in my music. If I feel like being very vulnerable and opening up about something personal, you'll hear that, too.
I see it in a lot of period pieces where everybody is standing and talking, in a stilted, archaic way, instead of being loose in the world. So, I try to do a little bit of research, just so that I can feel like I'm grounded, but then I try to bring as much of my human understanding that I can, under the filter of it being 1865.
When I find someone I respect writing about an edgy, nervous wine that dithered in the glass, I cringe. When I hear someone I don't respect talking about an austere, unforgiving wine, I turn a bit austere and unforgiving myself. When I come across stuff like that and remember about the figs and bananas, I want to snigger uneasily. You can call a wine red, and dry, and strong, and pleasant. After that, watch out.
A lot of what I do is about being in the moment and I think that's hard for people to get. I like it when things suddenly affect the painting. I mix up this red and it affects the whole painting or this little bit of white falls down there, and something changes the whole nature of the thing. The residue on what happens, that's what's in the paintings.
Whenever you get involved with talking about rights, you're talking about being a citizen. You're talking about being a citizen in capitalism; you're talking about what rights are granted to what identities, under what laws, and all that is a big mix. Marriage is, among many other things, a formality to channel capital through a family. And that's why the big DOMA lawsuit was about paying too many taxes! "I wouldn't have had to pay all these taxes if Theodora had been Theo" - that was the big tagline. It's all about protecting assets.
You don't get very far in life without having to be brave an awful lot. Because we all have our frightening moments and difficult trials and we don't have much of a choice but to get through 'em, and it takes a lot of bravery to do that. The most important thing about bravery is this - It's not about not being scared - it's about being scared and doing it anyway - that's bravery.
I sort of felt like being young was normally written about as being very fun and light-hearted. And I think that's true, but I don't feel like there's a lot of songs about how hard it is when you don't really know who you are or what you want, and you feel like you have to apologize for simply just existing.
You can't talk about solving the economic problem of the Negro without talking about billions of dollars. You can't talk about ending the slums without first saying profit must be taken out of the slums. You're really tampering and getting on dangerous ground because you are messing with folk then. You are messing with captains of industry. Now this means that we are treading in difficult water, because it really means that we are saying that something is wrong with capitalism.
Everybody has a direct view of the person "behind" the art, so there is going to be a certain amount of awareness of who is making songs. But I like paintings where you can see the brush-strokes.
I like all paintings. I always look at the paintings, good or bad, in barbershops, furniture stores, provincial hotels. I'm like a drinker who needs wine. As long as it is wine, it doesn't matter which wine.
I'm sure that a lot of women and men feel differently about it, but for me this isn't about being the girl in the band... it's just about being IN the band, if that makes sense? We're trying to keep it in a pure and genuine place for us and not break it down to gender, because it's just a bit boring and obvious isn't it?
Growing up, my dad drank a lot of wine, so I got a taste for, and learned how to enjoy it. He spoke a lot about flavors and differences in tastes of wine. Also, our manager, Rick Sales, is a big wine drinker; he goes to a lot of wine-tasting classes, and he's taught me about the qualities of wine.
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