A Quote by Mary Gauthier

I've always been drawn to the hard story, the trauma, because I think art can turn it around. — © Mary Gauthier
I've always been drawn to the hard story, the trauma, because I think art can turn it around.
When you read enough stories about people who have been through different levels of trauma, and it doesn't matter what the history is, trauma is trauma, there's always this freeing of the spirit.
I think a lot of actors, comedians, musicians, artists are drawn to this world, because you're allowed to excavate whatever it is that you're struggling with, and hopefully turn it into art.
There are so many fantastic roles, but the ones that have always drawn me to them are the loners who, for whatever reason, never quite fit in and knew it and had to find their own way. I've always been drawn to that, for some reason. I've always been drawn to that sad, isolated place, but what it produces in behavior is something else, entirely. For whatever reason, I'm drawn to these people. Essentially, I think what draws me is that they are survivors against rather considerable odds.
I've been taking art lessons since I was little, and I've always drawn. I think in pictures.
If we take a hard look at what poverty is, its nature, it's not pretty - it's full of trauma. And we're able to accept trauma with certain groups, like with soldiers, for instance - we understand that they face trauma and that trauma can be connected to things like depression or acts of violence later on in life.
The Work always leaves you with less of a story. Who would you be without your story? You never know until you inquire. There is no story that is you or that leads to you. Every story leads away from you. Turn it around; undo it. You are what exists before all stories. You are what remains when the story is understood.
I think trauma gets a reductive treatment. We tend to think only violence or molestation or total abandonment qualify as "childhood trauma," but there are so many ruptures and disturbances in childhood that imprint themselves on us. Attachment begets trauma, in that broader sense, and so if we've ever been dependent on anyone, I think there is an Imago blueprint in us somewhere.
I think that sometimes people fear continuity because it can turn into repetition - and there's a lot of artists who are really good at creating something new all the time. But for me it's about the consistency in my story. Because after all, I'm the protagonist in everything. All the songs are about my life so naturally there will be some connection because I'm still the same person I've always been.
Audience members are only concerned about the story, the concept, the bells and whistles and the noise that a popular film starts to make even before it's popular. So audiences will not be drawn to the technology; they'll be drawn to the story. And I hope it always remains that way.
You know how you feel somebody looking at you, and you turn, and somebody actually is? It's the same at an art gallery. You're looking at one portrait, turn around, and there is a work of art directly behind you. Because it's all energy. Every single thing has energy.
No matter what the outcome is, as long as you pray to Him and be genuine - because He knows when you're genuine and when you're not - and maintain the faith, I think things will turn around for you. I know things will turn around for you. And ultimately, you will always be victorious when it's all said and done.
I'm drawn to a good story, really, as I hope most people are. For me, it's the story that's going to stay with you eventually, not necessarily the genre. I go to watch a film because of the story, not because it was a Western or a comedy.
I'm giving away my family's story. Who owns the family's story? I don't. But you could turn it around and ask, 'Who is to deny me to write my family's story?' I have hurt people, but I don't think in a dangerous way. But you can't tell.
I think I'm always drawn to a good story
I think I'm always drawn to a good story.
I don't think anything surprised me. It was very hard for me, this story, The Snack, as a father. I have family in the army in Israel, I know families that lose their children, and I think this is the most hard thing, is faith. Because what happens after death is always belief, it's always something that you don't have any answers about, and I think the movie helps you to understand that death is part of the life. It makes it more natural.
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