A Quote by Mary Lou Jepsen
I designed a system to project video on the moon for all of humanity to see. I did this sort of as therapy as I was doing my Ph.D. in device physics.
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The Ph.D. system was designed for a job in academics. And it works really well if you really want to be an academic, and the system actually works quite well. So for people who have the gift and like to go spend their lives as scholars, it's fine. But the trouble is that it's become a kind of a meal ticket - you can't get a job if you don't have a Ph.D.
Within NASA, the shuttle is perhaps the least-groundbreaking project. Recall that Apollo was about creating brand-new technologies that did something unprecedented - putting men on the moon. The shuttle is, by comparison, a relic designed to make going into orbit routine.
The best thing about Ikea - I'm going to do a quiz here - the names. Do you know what a Floria Fin (ph) is? It's a candle. A Pogestra (ph) - table. A Bar Grick (ph) is a plate, an Eterleeg (ph) is a wine glass and a Scuggle (ph) is the name of my third nipple.
But actually making pictures to look like my pictures, I've done it for so long, I'm kind of used to it now. So at the beginning of the process, designing and storyboarding everything, I sort of did all that. And then designed the characters, and doing the textures for the characters, and the texture maps to cover all the animated characters and the sets, I did those, because that's where my sort of coloring and textures get imprinted on the film.
I did a video with Mick Jagger down in Rio de Janeiro. But I played a video director, and that's the closest I've gotten to directing, except Bob Dylan came and had a few meetings with me about doing a video for him.
I would always say I'm doing a video project. About dancing or birthday parties. Of course, the video becomes more than that. It goes deeper than that. But it's not a lie. It's a starting point.
What does this system seem designed to do? As I see it, it seems designed to send people right back to prison, which is what happens about 70% of the time.
While creating Moon Shoes, I had no idea that I was doing it. The experience was extremely organic, considering that I was making music spontaneously and working alongside friends. I chose to title the project 'Moon Shoes' to give listeners a sense of unearthly freedom. I believe each song moves listeners closer to the moon and personal truth.
There's a big difference in doing a play or doing any project that not a lot of people see and then a project that you know everyone will see. There is more pressure, performance anxiety per se. And then when you do and what you love is really put to test.
In my school, the brightest boys did math and physics, the less bright did physics and chemistry, and the least bright did biology. I wanted to do math and physics, but my father made me do chemistry because he thought there would be no jobs for mathematicians.
The moon is whole all the time, but we can’t always see it. What we see is an almost moon or not-quite moon. The rest is hiding just out of view, but there’s only one moon, so we follow it in the sky. We plan our lives based on its rhythms and tides.
I think a construction project for me is like writing a novel. I can't do the project unless I can envision sort of the whole structure and see what the end result might be.
When I said yes to doing 'Queen's Gambit,' I was feeling burned out on directing and movie-wise wasn't sure what my next big project was going to be. So I said yes to doing this very different type of project that required a different skill set from me, sort of just to shake things up, if anything.
After I did the drawings of trees combining them with words, I started doing - I did that for a very short time. Then it kind of - that sort of evolved into just showing the branches of a tree coming down into the trunk and then going into the root system. So I showed both the branches and the roots of a tree, which were about equal. There is as much going on under the ground as is going on above the ground, which you can see.
I first went into social services, and when I did my Ph.D. I looked at intellectual diversity rights as they apply to biological material. At the time, I never thought of what I'm doing now as a career. I thought I wouldn't find employment doing this.
It wasn't until my girlfriend, photographer Jennifer Rovero, took hundreds of pictures of me as I recovered from my amputations that things started to change. The process was a sort of therapy for me, which Jennifer coined as 'photo therapy.' I grew to see the beauty and strength in myself and my journey through the lens of her camera.
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