A Quote by Mary Lou Jepsen
I took on the math-intensive art form of holography and, in my early 20s, traveled the world, living on university fellowships to pursue this esoteric craft. I didn't date much, really - perhaps because I didn't have many hormones, though I didn't know that at the time.
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Bengaluru and art are synonymous to me. People here pursue an art form and make their living out of it - not many cities can boast that. Art in Bengaluru is thriving.
Actors have a different kind of existence because they blow up over night into superstars in their early 20s. Let's say you were a superstar in your early 20s and somebody gave you millions of dollars, I mean come on. Let's be honest here, we don't know anything in our 20s.
So many songwriters peak in their early 20s because they're living off their passions.
I can't tell you how much debt I took on to attend New York University because, at the time, I didn't care to notice. And besides, what teenager has a clue about interest rates? What I can tell you is that by my mid-20s, I owed somewhere around $50,000.
I think I realized it was an art form at the beginning, but it took me a really long time before I was able to view what I was performing myself as an art form.
Though I consider The Chronology of Water to be an anti-memoir for very precise reasons, it is an art form, and thus as open to "critique" as any other art form. Memoir has a form, formal strategies, issues of composition and craft, style, structure, all the elements of fiction or nonfiction or painting or music or what have you.
In my early 30s, for a few months, I altered my body chemistry and hormones so that I was closer to a man in his early 20s. I was blown away by how dramatically my thoughts changed.
From an acting standpoint, when I was a kid, I thought I knew everything there was to know. As the years go by, this craft becomes more intensive as I get older. You realize how much more there is to know and to learn, and how much better you can get, if you really work at it.
If you want to be considered a poet, you will have to show mastery of the petrarchan sonnet form or the sestina. Your musical efforts must begin with well-formed fugues. There is no substitute for craft... Art begins with craft, and there is no art until craft has been mastered.
There's the fact that animation is extremely time-consuming, tedious, labor-intensive, and therefore, extremely expensive as an art form to really do it right, to really do full animation.
I think a lot of people are involved in art because of the fashion of art and the conversation. It gives them a certain sophistication, something to speak about. But art is, if it's conceptual, really about understanding the concept. And if it's beautiful, it's about seeing the beauty. It's gone much further than that now. There's too much commercialism attached to art. If the market cracks one day big-time, you'll frighten so many people away who will never come back. Because they don't really feel for art. People who buy art should want it because they love it, they want to enjoy it.
The university has become so stultified since the sixties. There is so much you can't do at the university. You can't say this, you can't do that, you can't think this, and so forth. In many ways, I'm free to range as widely as I do intellectually precisely because I'm not at a university. The tiresome Chicanos would be after me all the time. You know: "We saw your piece yesterday, and we didn't like what you said," or, "You didn't sound happy enough," or, "You didn't sound proud enough."
In my late teens, early 20s, when I started stand-up and I was living downtown for the first time, I was deep into my blues and Bukowski phase. And, you know, that's when that's appropriate. And I grew out of it.
In my early 20s, I studied history and politics, and I really thought that perhaps I would devote my life to that.
There was a time in my late teens and early 20s where I was motivated by this wanting to get out, to prove to the world that I had something to offer - that kind of youthful spirit, where maybe I had my eye on fame and fortune. I mellowed out in my late 20s and now that I'm in my early 30s, I'm coming to peace with it.
Perhaps this is why lunatics have a harder time dating, not because they are off the wall but because it is hard to find soemone who is willing to date so many people in one person.
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